Premiere: St John's Property and Illustrator Isha Watson Team Up to Release "The Isolator"

View fullsize

“The Isolator” cover art by Isha Watson

There is nothing quite like a collaboration between pals, no? This is certainly the case for the uber-talented friend group of St John’s-based new-wave band Property and illustrator and animator Isha Watson. Today, the quad release “The Isolator,” an allegorical song originally about the mundane observation of tourists in St John’s, that has since taken on a new meaning in the wake of COVID-19 and under Watson’s artistic direction in the form of a gorgeous music video. Off their upcoming EP Think Electric!, Property’s single offers an honest punk undertone in both sound and intention with punchy danceability. When coupled with Watson’s pastel-laden video, “The Isolator” becomes a comforting soundtrack to get you through yet another day of pondering the meaning of life in quarantine. Check out our interview with Property and Watson below to hear their thoughts on life in St John’s, creating together, and abolishing the myth of productivity.

Zoë Argiropulos-Hunter for Also Cool: Hey Property & Isha Watson! Congrats on the release of "The Isolator" and it's accompanying music video. To start, can you tell our readers about your projects and yourselves? 

Isha: I am an illustrator based in St. John’s, originally from Perth, Australia. I moved to Newfoundland three years ago and fell in love with the culture and surroundings. I made it my intention to immigrate permanently. Originally a graphic illustrator, I challenged myself to take the next step by making my illustrations come to life. I’ve been animating pretty consistently ever since.  

Property: Hi! We are a band based in St. John's. Our names are Sarah (guitar/vocals), Jack (guitar), and Liam (bass). We all grew up here and live here in a house downtown. We started this band in 2016 and have been playing in St John’s and touring Eastern Canada ever since. We play guitar driven music with a drum machine, and more recently with our friend Jacob live on drums. 

Also Cool: For Property: How did "The Isolator" come together in terms of production? Were there any particular scenarios or influences that had an impact on the sound and feel of the final product? 

Property: The song was written and arranged pretty much exactly a year ago this month. We recorded it half with our friend Jake Nicoll and half at home during the first month of quarantine. It’s a reflection on living in St. John’s for a long time and working a service job that interacts with the tourism industry. It’s like this funny thing where people come here because they saw tourism ads on TV; so, when they get here they expect to see that untouched and “authentic” image of Newfoundland that they are sold. It’s funny to be on the other side of that sometimes. In the song “The Isolator,” is a sort of tongue-in-cheek euphemism for the island. But it totally takes on a new meaning in Isha’s video. 

AC: For Property and Isha: How did you work together to conceptualize the video? I'm interested in the characters and their repetitive actions of personal business; was any of that drawn from your own experiences in insolation, or is it rather a cultural artifact of the times we are in generally?   

Property: Isha made the animation and conceptualized it pretty independently! After the initial month of lockdown in Newfoundland (which we spent together in our house watching movies every night..) we were allowed to join “bubbles” with another household, which was Isha’s household where a handful of friends live. The animations are definitely reflective of that period of time, and the characters in the animation are us and friends doing the sort of things that we did, and do, to pass the time. So in this way, the song is kind of given a new meaning with the video and the context of the times. It can become a sort of reflection on the past (pre-pandemic) and then a reckoning with the present: being unemployed and in quarantine and engaging in monotonous activities.

Isha: While the song "The Isolator" was written a year ago, I began on the animation aspect of the music video in the midst of COVID-19. The inspiration for the video was purely built on the repetitive nature of day to day life during the pandemic. Overcome with boredom the majority of the time, projects like playing video games, knitting and nail filing (as referenced in the music video) were examples of what my friends and I did to fill the time. Only being able to see eachother inevitably resulted in some artistic collaboration. 

View fullsize

Property (photo provided by the band)

AC: On that note, the theme of self-care, in many forms, is really apparent in the video! I'm curious to know how both of you have been balancing that with your respective work (music and visual art) when there is so much pressure to create in the supposed "free time" offered by the pandemic? Which we all know is a sham, but still… It's sometimes hard not to compare ourselves with others.  

Isha: Before the pandemic, I always had an issue with being productive on my time off. I had to be doing something to avoid feeling aimless. I live in a house with six other people, so there were countless activities happening all the time which I incorporated into the video. Every morning I had a routine: I’d wake at 7:30am, shower, dress, drink a lot of coffee and sit at my desk for eight hours working on my animation. Treating the video like a job and pretending I was going to work helped me feel better when things felt pointless. I actually asked Property if I could make the music video for them, and from there the collaboration came together pretty seamlessly.  

Property: We’re all working in service or are in online school (or both) at the moment, so things are a little different than they were during lockdown. But over quarantine and the summer, there was this sort of haunting feeling that we should be making a bunch of new music, and finishing our almost completed EP. But we were all grieving the loss of tours and shows and festivals that we had booked for the spring summer (as well as the state of the world), and it sort of felt like there was no rush to make any new music or release anything.

To stay motivated, at the beginning of the summer we set some pretty relaxed goals about a 2020 release for our new music/videos, and we’ve been adhering to that pretty well, which feels pretty good. Now that music stuff is starting to happen again in new and innovative ways, we think 2021 will bring a fresh start and maybe (hopefully!) a proliferation of new releases and bands from friends in our beloved St John’s scene and across the country. 

 AC: What advice would both of you give to fellow artists hoping to work with each other on a multi-disciplinary collaboration while adhering to COVID-19 protocols?

Property: Since shows are few and far between, and harder to pull off with adhering to protocols, doing collaborative media work has definitely been a focus for us the past while, mostly music videos and live videos. Best advice would be to run with everyone’s ideas and trust your collaborators to do their thing! Try out new mediums and make stuff you wouldn’t usually make!

Isha: It’s obviously a really weird and hard time to release any sort of music or art knowing that opportunities to show and exhibit your work are going to be inherently different. However, it’s been nice to have more time to work on my own stuff and get better at things I was neglecting before the pandemic. Sarah has a project with Amery Sandford called “I Don’t Do Comics” that is a cool platform to make art, even if you’re not an artist, during the pandemic.

AC: Before we let you go, are there any upcoming projects that either of you are working on that you're excited about and would like to share? 

Isha: I just finished a print fair for the local music festival Lawnya Vawnya, and I’m selling some new prints at the Top Floor Art Store in St. John’s. A lot of my inspiration comes from my friends, and the supportive arts scene we all exist in. 

Property: We’re releasing our EP called Think Electric! by the end of 2020 (we don’t have an exact date set yet), and we just released the first music video from that EP last month that we’re super excited about. Thanks so much, Also Coo!

Watch “The Isolator” below

Property
Instagram | Website | Bandcamp

Isha Watson

This interview was conducted over email and has been condensed and edited for clarity

Related Articles

Playfulness Has No Age Limit: Rudy Shares New Track "Makeup"

View fullsize

Rudy (left to right: Ruby Izatt & Rowan W-S)

Rudy is the musical brainchild of long-time pals Ruby Izatt and Rowan W-S. The project began as “an extended songwriting challenge” between the pair once they found themselves on the opposite coasts of Canada (when Ruby returned to the band’s hometown of Vancouver to go to university), and still itching to create together. Now reunited in Montreal, the duo have been hard at work: transforming their long-distance demos into master tracks, using both digital and analog techniques in their basement home-studio.

Today, Rudy premieres their first single of the year: “Makeup,” which the band says “finds inspiration in clip-on earrings, clowns and sneakers and intends to bring a bit of magic to everyday life where dancing alone in your bedroom is a whole event.”

Also Cool had the chance to catch the band before their release, and chat about how they revived this track “off the cutting-room floor,” and find inspiration in the sentiment of family heirlooms and throwback cartoons.

View fullsize

Photo provided by Rudy

Zoë Argiropulos-Hunter for Also Cool: Hey Rudy! Congratulations on the release of "Makeup!" To start, can you tell our readers a little bit about yourselves and your musical project? 

Rudy: Hi Also Cool! This is so exciting for us! We are Rowan and Ruby (a Cancer and Leo, respectively), and we started writing songs together to keep in touch after Ruby left Montreal to finish her studies in Vancouver. Rowan is part of Winona Forever, and Ruby first learned how to play bass while touring from Vancouver to Montreal with the band. 

Also Cool: You two have recently reunited after being a long-distance band on the opposite coasts of Canada. How has being in the same city impacted your project, and the creative process of writing/producing "Makeup" by extension?

Rudy: Being able to talk and experiment in person has been huge for us. Though we enjoyed the surprise of listening to new demos while taking public transit to school/work and writing alone in the evenings while we were on opposite coasts, everything goes so much faster when there’s someone offering feedback right away. Plus, being in the same room means we can track live, which sounds more cohesive and lively than tracking each instrument separately. 

“Makeup” had gone through so many revisions while we were sending the track back and forth that it got to be a bit of a hot mess. Finally listening to it together for the first time was when we re-discovered that the song wasn’t complete trash and we were motivated to finish it.

View fullsize

Photo provided by Rudy

AC: The song features so many experimental embellishments, from sound-effects, voice-overs from different "characters," and sounds that remind me of children's toys. Where did you draw inspiration from for these elements, and how did you get them to work together to build this track? 

Rudy: Since the song is about being in one room, we wanted to build a sonic world that felt inviting and imaginative. We have a TV/VCR player in the studio that's usually playing some movie or old cartoons while we’re working, which we often look to for reference or inspiration. We were listening to Arthur and King Princess a lot at the time, who both employ sound effects to create the world where their music resides.

When we finished the bed track for “Makeup,” Rowan was experimenting and played some slide guitar over the pickups at the end of the track. We thought sounded like twinkling stars, and worked backwards [by filling] in the gaps with experimental sounds and voiceovers.

AC: Of course, the lyrics talk about the idea of doing makeup/dressing-up just for yourself to jazz up having to stay inside during quarantine. Were there any particular looks that you put together that really struck you? What are some of your style go-tos, in terms of makeup and accessories, and why? 

Rudy (Ruby): I am definitely someone who will slap on two discordant eye makeup looks right before hopping in the shower. Honestly, the lyrics to “Makeup” were just talking about my life pre-quarantine…

When my grandfather died last year, I received his leather fanny pack and a few pieces of his late wife’s glass bead necklaces which I revere and I think kinda look sick together? I gravitate towards anything with bright colours, or an interesting story. 

AC: Before we let you go, are there any upcoming projects from you that we should look out for? What are your plans as artists in the near future?

Rudy: We have so many songs we are working on at the moment! We also have a little lyric video for “Makeup” that we are going to put out shortly.

Listen to “Makeup” out now

Keep up with Rudy

Instagram | Spotify | Bandcamp

Premiere: Róisin Marie Eats Her Heart Out in Her Video For "Like That"

View fullsize

Róisin Marie by Christopher Walsh

Meet Róisin Marie, a New York-based R&B newcomer who, at only 21 years old, has the voice and vision of a seasoned ballad composer. Today, Róisin shares her latest track “Like That,” with an accompanying video directed and edited by the artist herself. We had the chance to catch up with Róisin, and chat about how “Like That” transformed from a diary entry into a fully realized production that captures both the vulnerability of heartbreak and the allure of being alone. Read our interview with Róisin Marie below.

Zoë Argiropulos-Hunter for Also Cool: Hey Róisin! Thank you so much for chatting with me! To start things off, tell me about yourself and your musical background.

Róisin Marie: Hi! Thank you for having me. I am 21 years old, and from right outside New York City. Music has always been a huge part of my family, and growing up I was lucky enough to see many Broadway shows and concerts in the city. I was a theatre kid who loved to write poetry, and started writing my own music in college. 

Also Cool: What is your creative process like as a musician? Do you take inspiration from any influences? 

Róisin Marie: I work a 9-5 right now, so the biggest thing I am learning to work through is being able to clock back into music and find myself in my creative space after a long day at work. I have found that writing poetry, or journal entries as they come to me, and having a catalog of this to pull from, really helps me get my thoughts out when I do sit down to create. I am really inspired by the people I get to work with. They model consistency, accountability, and honesty. I think surrounding myself with them has made me both a better creative and a better human. 

AC: Congratulations on the release of “Like That!” Can you tell me about the evolution of this track and what it was like collaborating with RocNation signee Anwar Sawyer on its production? 

Róisin Marie: Thank you so much. This track really has evolved! It started as a ballad that Anwar sent me. I wrote to it, [and it became a] completely different song. Then like five months later, I was journaling about a relationship I wish I had explored with someone. I pulled up the ballad and started singing what I was writing until it felt right. It was my “idea of the day.” I played it when I got to Anwar’s studio […] And it was just a moment that we both felt. It all fell together after that. Anwar and I have been working with each other for about a year now. He is also my manager and best friend. Being able to create together is such a blessing.  

View fullsize

Róisin Marie by Christopher Walsh

AC: “Like That” is being released with an accompanying music video, of which we’re super into. I’m curious to know: What inspired your artistic vision for the video, and how did the project come together to compliment the song’s narrative? 

Róisin Marie: It is! I am so happy you like it. The artistic vision was inspired by an incredible artist, Lee Price. Her series “Women and Food” shows women in vulnerable and intimate moments with food as a crutch, as a drug, as nourishment, etc. This just felt right to me. The song is about a heartbreak that I didn’t even get to properly feel; I am mourning a “what if.” I wanted to show myself in this intimate setting binge eating my feelings. I also wanted to add in the sexual elements of licking and eating food off of my fingers to further the feeling of loneliness, but in a somewhat awkward and uncomfortable way. 

AC: Branching off of that, how do you feel about working as an artist under the pressures of COVID-19 and quarantine, especially in NYC? How are you taking care of yourself and your craft? 

Róisin Marie: Part of me feels sad, but part of me is also super grateful for the time it has given me to get to know myself better. I haven’t gotten to perform and I don’t know when I will -that makes me sad. But in the time that I wasn’t working, I had a taste of being an artist and musician full time, and that was really nice and motivating. I am taking care of myself by being patient, going outside, calling friends, sleeping, eating, and channeling my emotions into my art. I hold myself accountable to write every single day, and I set intentions that align with my vision for the future. 

AC: Finally, we hear you’re working on your debut full-length project, which is super exciting! What has this process been like so far, and what can we expect in the coming months? 

Róisin Marie: I am! It’s been a lot of digging. I have to be super honest and real with myself and with who I am creating with. This writing and creative process over the last six months or so has really required me to strip away a lot of things I thought were defining me. I have been coming into my own skin and I think this process is definitely reflected in my writing. I can’t wait to share and see what comes of all of it. 

View fullsize

Roísin Marie by Anwar Sawyer

Watch Róisin Marie’s video for “Like That” below

Credits

Director: Róisin Marie

Producer: Anwar Sawyer

Director of Photography: Andrew Greene

Editor: Róisin Marie

Colourist: Kevin Ratigan

Keep up with Róisin Marie

Instagram | Spotify | Apple Music

Photography by Christopher Walsh

Instagram

Related Articles

Musical Genes: Sisters DJ_Dave and Maddy Davis Premiere "Can't Do This Alone" Remix

View fullsize

While some siblings get caught up in rivalries over mutual passions, Sarah and Maddy Davis’ combined love of music continues to bring them closer together. Though they couldn’t be any more different musically, with Sarah DJing algorave under the pseudonym DJ_Dave in NYC, and Maddy pursuing her bedroom-pop career in Los Angeles, the sisters are bound by a mutual desire to bring women to the forefront in all aspects of the music industry. Today, they showcase the power of all-female collaboration with the release of “Can’t Do This Alone - DJ_Dave Remix,” a remixed version of Maddy’s original song by her sister, DJ_Dave. Also Cool is psyched to be apart of their premiere, and below we chat with Sarah and Maddy about finding their artistic footing beyond suburbia, navigating gatekeeping in male-dominated spaces, and what it was like working as siblings first, and musicians second, to create this remix.

We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and our services, you agree to our use of cookies as described in our Cookie Policy.

Also Cool: Hi Maddy and Sarah! Thank you so much for being a part of Also Cool Mag and congratulations on the new release! To begin, can you tell us about your individual music styles and how you got your start in your respective fields? 

S/M: Thank you so much for letting us be a part of Also Cool! We’re super excited about this release and glad you are too! 

Maddy: I am a suburban-bedroom pop artist, which I’d describe more specifically as both a niche indie artist community, and a genre that bridges the gap between the artist, songwriter, and producer. I like to describe my specific style as suburban-bedroom pop because, having grown up in the most cliché suburb, I’ve found myself inspired by my own relatable experiences, which I tend to gravitate towards when writing. 

Sarah: I am an indie-techno pop artist making music within the algorave community. Algorave is a super niche movement of musicians that produce and perform music using code, who are slowly working their way into club scenes around the world. I picked up this skill about a year ago, and have been making music this way ever since. The deconstructed music production environment somehow made a lot more sense to me than a lot of the DAWs (digital audio workstations) I had tried, and it unexpectedly combined my interests in visual arts, coding and music.

View fullsize

Sarah Davis a.k.a. DJ_Dave (top) and Maddy Davis (bottom), shot by Farah Idrees

AC: Both of you made the move to New York City, and now Los Angeles for Maddy, from your hometown in New Jersey: How did you both find a sense of community upon relocating, and has that had an impact on your creative process? 

M: I’ve found a sense of community in both New York and Los Angeles, which has greatly impacted my creative journey. I moved into New York right after high school, and quickly found my place in the music scene; playing shows, going to shows, collaborating with other artists, and just generally meeting and spending time with other young creatives. It was the first time in my life that I was around so many like-minded people who supported each other's art and worked so closely together.

I’ve only been in Los Angeles for a couple of months at this point, but I’m already finding that things are similar here. From these experiences, I’ve realized that learning from your peers is sometimes more valuable than learning from those who are already deeply established career-wise. I can’t express how much I’ve learned from simple conversations with people in these social circles, which has led me to further appreciate the creative environments of both cities.

S: When I moved to New York to go to college, I met most of the community I currently surround myself with through the city’s college scene. More than anywhere I’ve ever been, young people in New York have this incredible urgency to create. This resonated with me, which made finding a community easier than I anticipated. My friends, and the artists around me that I look up to, are some of the hardest workers I’ve ever met. We are always pushing each other to do more, while also acting as a support system for each other.

Living in the city and learning from the people around me has not only changed my creative process, but redefined the way I approach art and music. The arts scene is constantly changing, and being in New York is like having your finger on the pulse of society. It’s really incredible to get to live and create in New York.

View fullsize

Sarah Davis a.k.a. DJ_Dave (left) and Maddy Davis (right), shot by Farah Idrees

AC: For Sarah, your work tackles the representation of femme artists in male dominated spaces, specifically in tech and rave communities. What aspects of these dynamics do you confront in your music, and how do you go about capturing your feelings on this subject? 

S: I first noticed this lack of representation when I would rarely see female DJs at my favorite clubs. Whether it was the most packed night of the week or a slow weekday, the DJs were almost always men. I was tired of seeing the same group of guys getting the spotlight, given the fact that womxn DJs are everywhere, so in my own work I collaborate exclusively with femme musicians and artists. Algorave as a community is actually very female dominated, so using this artform as my way of bringing more womxn representation into club scenes seems very appropriate. I’m surrounded by incredibly talented womxn in music, and it’s honestly just so exciting to collaborate with them and show people our work! 

AC: Branching off of that, we heard that you further combined your passion for technology and safer-space practices to develop an app. Can you tell us more about it? 

S: Yes! So when I was a sophomore in college, I conceptualized an app called Outro that acts as a safe space for women, the LGBTQIA+ community, and people of colour in nightlife. The app allows users to rate and review nightclub spaces based on safety and quality to prevent future unsafe situations from happening and promote spaces that consider safety their number one priority. Outro is available on the app store for whoever wants to check it out!

View fullsize

Sarah Davis a.k.a. DJ_Dave, shot by Farah Idrees

AC: In a similar vein, Maddy, you strive to make space for womxn in not only performance spaces, but production spaces as well. How does having control over every aspect of your music, from songwriting to execution, impact your relationship with your art? 

M: I grew up with the understanding that producers were almost exclusively men.  As a result, I never considered production as something I could pursue, let alone learn. That is, until I saw iconic femme producers starting to emerge and realized that I could produce too. Fast forward five years or so, and now I’m producing all my own music, and repeatedly explaining to guys in my DMs that I don’t need them to send me beats. When I started producing, it unlocked an entire world for me to find my own sound as an artist. This allowed me to better articulate what I wanted to say with my music, and express myself as an artist entirely. 

AC: With this, what advice would you give to womxn trying to navigate gatekeeping in the music industry based on your experiences? 

M: Womxn are taught that men make more money, men are stronger, men are generally more successful, etc. … These same beliefs, unfortunately, exist even in creative industries. The advice I’d give to womxn trying to navigate the music industry, whether on the business side or the creative side, is to not feel intimidated by men. Don’t be afraid to speak up in a session or during a meeting, because your voice matters too. To this day, I still encounter imposter syndrome pretty much whenever I’m in a collaborative environment with men, but I try to always remind myself not to degrade myself and understand my worth as an artist, writer, and producer. 

View fullsize

Maddy Davis, shot by Caity Krone

AC: Moving forward, the track you’re releasing today is a remix of Maddy’s song “Can’t Do This Alone.” What was it like collaborating together and what inspired you to combine your musical feats in the first place? 

S/M: We’d always written and performed music together growing up, so it was inevitable that we would eventually collaborate once we both started releasing music. One of us (Maddy) has this organic ethereal sound, while the other (DJ_Dave) uses a geometric method of music production, so we were inspired to see what the combination of our two contrasting styles would sound like. 

AC: What was the highlight of working on this track together? Did you encounter any challenges? 

M: I’d say the highlight for me was hearing the first versions of the remix. I loved that DJ_Dave was able to transform the song to fit her signature sound, while keeping some of my favourite elements from the original. I’d say the biggest challenge was deciding when the remix was actually finished between the two of us. It took a lot of different versions, but when the final was done, it was pretty obvious to both of us.  

S: “Can’t Do This Alone” is one of my favorite songs by Maddy, so the highlight for me was getting to work with the stems and combine our really different styles. I would say my biggest challenge was maintaining the message of the song, which is so strong and important, while manipulating the tracks.

AC: Before we let you go, is there anything you’d like to add? Are either of you working on any new projects at the moment?

S/M: Since being in quarantine, we’ve both been working on a ton of new music that we are super excited to share soon. Also, just a huge thank you to Also Cool for giving young emerging artists a platform and a chance to get their music heard! 

(Editor’s note: Thank you! We love hearing your music!)

View fullsize

Sarah Davis a.k.a. DJ_Dave (left) and Maddy Davis (right), shot by Farah Idrees

Keep up with the sisters and their music!

DJ_Dave

Instagram I Spotify I Apple Music

Maddy Davis

Instagram I Spotify I Apple Music

Photos by Farah Idrees and Caity Krone

Related Articles