Tame Werewolf Releases Italo Disco Inspired Track "5th Wave"

Blast off into the synth-wave world of Tame Werewolf, the electronic artist from Tehran, Iran blending J-Pop and Italo Disco.

Tame Werewolf's discography evokes 80s anime late-night aesthetics, the upbeat melodies of early Nintendo soundtracks, and granular sounds of old-school-style arcade games. He creates a unique retro electronic sound by incorporating space-synth, Italo-Disco, City Pop, vaporwave and Eurobeat influences.

Formed in 2018 by Keivan Hosseini, Tame Werewolf has since released two albums, and now his latest single, "5th Wave." Being raised as an only child, Keivan picked the keyboard as his best friend and began his exploration of music with early Persian pop, Jean-Michel Jarre, Giorgio Moroder and Koto.

He later took inspiration from Yellow Magic Orchestra and the 16-bit-age of Yuzo Koshiro, as well as the indie electro-pop of the 2010s, like M83, Hot Chip and Crystal Castles. The video game influences came in 2017 while playing “Streets of Rage,” sparking a deep dive into 80s inspired genres, eventually leading him to the Synth Wave world.

Tame Werewolf makes easy fans of those familiar with Tatsuro Yamashita, Khruangbin, and those chill-wave compilations on YouTube. We recommend starting with "Phasermania," "Lost in Lush Heavens," and "5th Wave."

Tame Werewolf

Instagram I Bandcamp

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.

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Berlin Duo Das Beat Fuses New-Wave Grit and Italo Disco Fervor on Debut "Identität"

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Identität album art by Andie Riekstina

Berlin duo Das Beat are the most recent addition to Montreal’s Arbutus Records with the release of their debut EP Identität. Comprised of theatre actress and vocalist Eddie Rabenberger and musician Agor of local act Blue Hawaii, the German-Canadian pair are emerging from lockdown seemingly unscathed. In four flawless tracks outfitted with celestial atmospheres and pulsating undercurrents, Identität offers a dioramic perspective of the couple’s intimate creative dynamics, backdropped with the essence of Berlin’s esoteric nightlife. Between their take on New-Wave meets Italo Disco are moments of tongue-in-cheek commentary, brought to life by Rabenberger’s playful (and sometimes lamenting) character-driven lyrics.

With a conceptual allure as captivating as their sound, Das Beat is a group you’ll want to keep on your radar. We got the chance to connect with Das Beat and learn more about how their pandemic boredom-buster turned ode to community-collaboration in our conversation below.

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Agor (left) and Eddie Rabenberger (right) by Andie Riekstina

Zoë Argiropulos-Hunter for Also Cool: Hey Eddie and Agor, thank you so much for chatting with me! To start, can you tell me about the origins of Das Beat?

Das Beat: Hey, thank you for inviting us! We have been seeing each other over three years now, and are apart of an amazing scene here in Berlin. At the beginning, Eddie was very busy with her studies and Agor was travelling and touring a lot. It actually took the lockdown for things to come together musically; being forced to spend lots and lots of time together. It was challenging in the beginning, but then we found a way to channel our creativity and have an outlet for all the energy. In a sense, it was also a way to communicate.  

AC: How did you muster up the energy and creativity to conceive your EP in the tense atmosphere of the lockdown? 

DB: To be fair, we had a hard time at the beginning of the lockdown. It was a relief when we  found this way to be creative together and bring a new energy to our dynamic. We  started out by jamming together over beers, but then pulled things together when Arbutus said they wanted to release [our EP]!

Also Cool: I know you’re both artists in your own right, and I’d love to learn more about how your respective practices come into play with this project. For Eddie, how has your background in acting informed your role as a vocalist? And for Agor, how does your approach to music production in Das Beat differ from your other musical endeavours like Blue Hawaii?  

Eddie: I was actually super surprised when we jammed the first time. I was like, “Wow, okay, so that doesn’t sound too bad!” At first I was more shy and did more speaking rather than singing. This helped me to feel comfortable and to express myself. Also, I like to write lyrics from the perspective of someone else, which is what inspired our songs “Ariadne” and “Jackie.” 

Agor: I suppose I’m more free to do things and go places I wouldn’t with Blue Hawaii.  For example, picking up the guitar again or doing a really 80s gated reverb snare. It’s fun to go back and make music as a reflection of a feeling, a lifestyle… Like how one would when they first discover their own tastes, rather than being too analytical about things.

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Das Beat by Andie Riekstina

AC: Along with your sound, your project also has a very strong and distinctive visual  presence through your music videos. Do your videos' subjects bring any of the songs'  subject matter to life? What made you drawn to the aesthetic elements that make-up the  visual identity of Das Beat?  

E: The visual elements kinda all just came together after time. We wanted to represent us and the creative scene we’re apart of in a light hearted way. We had friends help us with the music video for “Bubble,” where the subject of the song comes to life. I wrote the song about sex and how it can be important to kick your partner out of a comfortable bubble and tell them what you need in order to be happy... So, having Agor as my call boy is a little hint in the video. 

 A: For “Identität,” we managed to do the whole thing ourselves. We had an earlier version  of the video that was all black and white. It felt a bit pretentious, so we reshot the whole thing the weekend before it was supposed to come out. We were doing a flat-swap with our friends in another neighbourhood, in east Berlin. So it was cool to walk around those big buildings, dance a bit and make the magic all happen with some clever editing and some help from an old 00s flip camera Eddie bought second hand.  

AC: What is the music community that you're a part of like in Berlin, and did your scene's environment have an influence on the conceptualization of Das Beat and your EP?

 DB: Our environment definitely helped shape the concept of Das Beat, and we have so many amazing friends who helped us do the photos, logo and videos. Without them, it would have definitely been harder and a lot less fun. Their influences are diverse as we have friends doing everything from hard-style dancefloor Gabber to soft crooning ballads, and designers creating really cool graphics, clothes, tattoos… Basically art of all kinds.  

AC: In the same vein, do you have any aspirations for how your project might exist in a live context once nightlife is revived?  

DB: We are very excited for live shows again and are already preparing. It looks like we are going to have our first show at the end of July for an outdoor festival here in Germany. We’re hoping to get more opportunities in the summer! 

AC: Finally, how do you plan to celebrate your release, and how can we best support you going forward? 

DB: We’re already celebrating every song a little bit in Eddies flat-share, haha! Now that the whole EP is out, we are also hoping to celebrate with shows and performances for people. Of course, we’ll have to see what’s possible. Later this month we are planning to DJ a friend’s live fitness class from Toronto… Should be pretty neat… Really, listening to our songs is the best support you can give us!

Das Beat · Identität EP

Das Beat

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Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.

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