Ten Seasons of Pique – Ottawa's Finest Multidisciplinary Festival (Debaser)

Pique at Arts Court in downtown Ottawa

Last Saturday night, Pique returned to Ottawa’s Arts Court for a triumphant fall edition.

Produced by the renowned arts organization Debaser, Pique has built something of a cult following across the National Capital Region. Each chapter of the underground music and arts festival has seemingly hypnotized audiences, showcasing dynamic rosters of programming across seven stages while maintaining a humble, community-oriented atmosphere. With this most recent iteration of Pique, which marked its milestone tenth edition, this appears to have still rung true.

Dorothea Paas performing on the Terrace stage

The first standout set of the evening was Dorothea Paas, who performed an intimate outdoor set on the Terrace stage. Her chilling vocals and ruminative lyrics, reminiscent of artists like Weyes Blood and Phil Elverum, brought the crowd to a standstill. It was a pleasure to see her return to the Terrace as part of the Marker Starling ensemble, fronted by acclaimed musician Chris A. Cummings. Known for his signature funk and ample Wurlitzer backings, Cummings delivered a soft rock summer sendoff to a delighted audience.

Syana performing in the Alma Duncan Salon

The Alma Duncan Salon hosted luscious techno treats, emerging as the other top stage of the evening. DJ Don’t Trust Ryan drew in an incredible crowd with his magnetic blends of Y2K pop and frenzied electronica. Multidisciplinary artist Syana kept up the momentum, commanding the room with tracks from her album 19 Years of Rage alongside surprise guest Mossy Mugler. Illuminated by Dayglo patterns of all shapes and sizes, the dance floor remained packed with festival-goers for most of the night.

The Ottawa arts scene—the Canadian arts scene!—awaits this festival with bated breath, and for good reason. As Pique continues to outdo its promising reputation, it is difficult not to dream of the next one before fully savouring the last. Its inclusive atmosphere and curatorial boundlessness will be beloved for seasons to come.

Pique event poster by Ajeeb Sir

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Pique

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Debaser

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FME Take 3: The Also Cools' Return to Rouyn-Noranda

The Festival de musique émergente celebrated its 21st birthday this past weekend, returning to the northern city of Rouyn-Noranda. Surrounded by lush greenery and vibrant murals, the Also Cools unpacked our suitcases and jumped straight into four outstanding days of live performance.

Featuring over 350 artists from across Quebec and beyond, FME sprawled across every sidewalk, and we are pleased to report that it shone as bright as the end-of-summer sun. As we bounced between venues, chilled Sapporos in hand, it became progressively more obvious that identifying our favourites would be no small feat – that every memory of this edition deserved to live forever. 

Our adventures included secret shows with sunset backdrops, car parking lots, chalk drawing late into the night, the Bonsound pool-side BBQ, making toast out of a Darth Vader toaster with Truckviolence, and enjoying some of the best music that the indie scene has to offer. Here are just some of the sets that made the séjour a success.

La Sécurité

Although La Sécurité marked our seventh show of the day on Friday, the art-punk quintet packed a rejuvenating punch. Rocking a pair of gas station visor shades, band member Éliane Viens-Synnott exuded carefree cool from the moment she took the stage. Her eccentric delivery and free-flowing choreography commanded the Diable Rond – as did bandmate and drummer Kenny Smith, whose technical precision was impossible to ignore.

Les Louanges

Emotive yet unserious, mellow and multidimensional – Les Louanges held Rouyn-Noranda in the palm of his hand. The Lévis native has garnered praise at lightning speed for his soulful stylings, and his appearance on the main stage certainly justified the hype. Backed by groovy basslines, howling flutes, and a slew of rapturous Queb teens, the artist floated to and fro with a captivating sense of swagger. Catching Les Louanges at this dynamic moment in his career was nothing short of a privilege.

TUKAN

Without question, TUKAN is the name on every festival-goer’s lips. The Belgian group delivered three palpitating performances over the course of the weekend, taking FME by storm with vivid post-rock arrangements. While their jam-packed set at Le Petit Theatre was a strobey-sweet affair, the magic of TUKAN’s final show will be something to remember. Lining 7ème rue with an air of bittersweet anticipation, a sea of glistening bodies gathered to transcend one last time, folding into each rhythm with the desire to make it last forever. And TUKAN? They did too.

AMMAR 808

We met AMMAR 808 on one of the many volunteer-run shuttles we took from our hotel to the main festival grounds. He told us about his long journey from Amsterdam, and mentioned he would be playing a set “somewhere, sometime soon”. Little did we know, our humble new friend is the acclaimed Tunisian producer Sofyann Ben Youssef. We caught his show at the electronic night at Le Petit Theatre, and were absolutely blown away by his masterful blend of traditional African beats and hardcore techno.

Milk TV 

Another post-punk favourite of the festival was Milk TV, a trio hailing from Brussels. Initially not knowing where they were from, we thought they must have emerged from either the Canadian West Coast post-punk scene (think NOV3L, Pottery, and Crack Cloud), or somewhere from the world of Omni, Deeper, or Parquet Courts. Their no-wave energy was electrifying and had the whole crowd moshing by the end of the set.

Myst Milano

Absolutely slayful, and a new discovery for Also Cool, is Myst Milano. The DJ and multi-instrumentalist captivated their audience with their 90s-inspired beats and hard-hitting lyrics, not to mention killer dance moves. Their album Shapeshyfter, which made the Polaris Prize longlist in 2022, now has a permanent spot on the Also Cool daily Spotify rotation.

We once again had a beautiful time in Rouyn-Noranda, surrounded by good music, new friends, and the most incredible end-of-summer vibes we could ask for.

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FME
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Blue Hawaii Doubles Down with "I Felt Love (Salzbauer Rave Edit)" (Arbutus Records)

Blue Hawaii by Peter Zietner

Two years after the release of their electric mixtape Under 1 House, Montreal’s beloved electronic duo Blue Hawaii have revived the magic with the release of “I Felt Love (Salzbauer Rave Edit)” — out December 6th via Arbutus Records.

What was first discovered on Bandcamp as a bootleg rework of their standout track eventually became canon. With this interpretation, Berlin producer Salzbauer sends the BPM soaring and delivers an intoxicating force that’s ready for the rave. 

“I Felt Love (Salzbauer Rave Edit)” breathes life into Blue Hawaii’s already-expansive catalogue, continuing their evolution towards a commanding dance-floor sound. The buoyant vocals of singer Raphaelle “Ra” Standell-Preston and transfixing production of Agor “DJ Kirby” intensify with a flailing techno torment, reaching a thrilling climax before mutely conceding to the waves of emotion. From Durocher to the moon, no one is ready.

Listen to “I Felt Love {Salzbauer Rave Edit)” below!

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Blue Hawaii

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Rebecca Judd is the features editor of Also Cool Mag.

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