Dive into the World of Poolgirl

Poolgirl by Alice L’arrivée (from left to right: Laura Clark, Gwenna Pirozzi, Manya Ziemiecki, Miranda Powell-New, and Rachel Bradbury)

At 7:41 PM on June 11th, 2023, classical flute student Gwenna Pirozzi tweeted that they were “very serious about starting band now” and asked anyone interested to hit them up with what instrument they play. Several tweets and Instagram story callouts later, Rachel Bradbury, Gwenna Pirozzi, Miranda Powell-New, Manya Ziemiecki, and Laura Clark came together to form what would soon be known as Poolgirl: an emerging alternative rock band based in Montreal/Tiohtià:ke.

One of the group’s most frequently asked questions is about their name, which happens to be the inverse of Girlpool, a now-disbanded indie rock band. To clear things up, percussionist Bradbury—who has seen Girlpool in concert—says that they “zero percent thought of” Girlpool when brainstorming band names, and were mainly working off of Notes app lists of words everyone thought would sound cool. With T-shirts depicting a woman lounging in a swimming pool juxtaposed with lyrics capturing the joy of “drinking beer and playing pool,” the band says it’s up to the listener to decide what the name means to them.

Nearly a year and a half after Pirozzi’s aspirational tweet, Poolgirl has released their first EP, racked up thousands of streams on Spotify, played the internationally-acclaimed POP Montreal music festival, and developed a loyal following of 20-something-year-olds with dyed hair and facial piercings who shout along with the band all across the city. From the smoke-laden atmosphere of Traxide to the vibrantly graffitied concrete slabs of the Van Horne Underpass, Poolgirl never fails to curate a safe and welcoming concert environment. This is a result of the band’s creation of their own space in a scene that often tends to be dominated by men. Instead of attempting to break into a scene they had no interest in belonging to, Poolgirl has instead forged their own path. This includes booking their own shows, often “with [their] people,” and playing benefit concerts for organizations whose values align with theirs, such as Rock Camp Montréal, a nonprofit organization that empowers girls, trans kids, and queer kids through music.

Poolgirl performing at Batiment 7 by Judy Yun

With only two released singles in their repertoire, the band was selected to perform at POP Montreal, a five-day-long music, film, and visual art festival that invites acts from all over the globe to play at over 50 venues across the city. When Powell-New, who applied on behalf of Poolgirl, broke the good news to the rest of the band, everyone was “screaming with joy.” In addition to delivering an electrifying performance at Mile End’s Quai des brumes on September 28th, being accepted meant seeing their name on the POP Montréal advertisements on the metro and the festival’s iconic beer cans. Balancing festival performances with school and work can be hectic but the band agrees that they “wouldn’t trade the experience for the world.”

Playfully titled I Can’t Swim, Poolgirl’s debut EP is a four-track testament to the band’s artistic versatility. Although the majority of the songs they perform tend to transform every venue into one large moshpit, new tracks “Lucy” and “Pool Party” offer a glimpse into the group’s more mellow side. With the upbeat, anger-fueled tracks “Charity” and “POS,” the EP is an eclectic mixture of rage, queer joy, and somber melodies. Beginning with the cover, a collage designed together by all five band members, the EP is a collaborative effort from start to finish. Although the bulk of the lyrics are composed by Powell-New, the band ties everything together with very open communication, allowing every member to offer their input. With artistic influences ranging from indie duo Wet Leg to riot grrrl pioneers Bikini Kill, and educational music backgrounds including classical voice training and percussion performance, I Can’t Swim weaves these differences together to form a cohesive and catchy EP. 

Along with the new EP, Poolgirl fans can expect new merch and music videos, in addition to a full-length album in the future. However, Poolgirl will be on hiatus from around February to April 2025 to focus on songwriting. The band plans to use this time to jam and work on new music but will not be playing any shows. That being said, make sure to take a dip on January 18th at Batiment 7, which will be Poolgirl’s last show before the hiatus. 

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I Can’t Swim

Released December 6th, 2024

1. Lucy

2. Charity 

3. Pool Party

4. POS

All songs by Poolgirl 

Gwenna Pirozzi - Bass

Miranda Powell-New - Vocals

Manya Ziemiecki - Rhythm Guitar & Background Vocals 

Rachel Bradbury - Percussion

Laura Clark - Guitar

Matt Sagar - Recording

Mixing & Mastering - Sarah Harris 

Artwork by Poolgirl

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Poolgirl

Instagram | Bandcamp | Spotify | Youtube

Maggie Caroddo (they/them) is a lesbian writer and film fanatic originally from Long Island/Lenape Land and currently based in Montréal/Tiohtià:ke.

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Montreal's Prism Shores Unveil Jangle-Gaze Anthem "Tourniquet" (Meritorio Records)

Prism Shores by Alex Apostolidis

Montreal “jangle-gazers” Prism Shores stretch beyond the jagged cracks of late-November sidewalks with “Tourniquet,” out now via Meritorio Records. The single marks the second off of the group’s forthcoming album Out From Underneath, which is set to release on January 17th, 2025.

Prism Shores—comprised of Jack MacKenzie, Ben Goss, Luke Pound, and Finn Dalbeth (Dresser)—are reliably impressive when it comes to crafting meditative indie freefalls, but “Tourniquet” and its cohorts hint at something more. This new era sees Prism Shores breaking out into more ambitious soundscapes, flexing some exponential overdubbing for a pleasing shoegaze wave. It also employs the band’s sonic talents in exciting ways, with each member taking a stab at vocals, guitars, and other instrumentation for a heightened sense of collaboration.

Said the band of Out from Underneath’s latest track:

“The closest we’ve come to a straight-up power pop song. The idea was to make the track sound like first record Teenage Fanclub with MBV glide guitar – I think it’s one of our favourite tracks on the album. Our drummer Luke plays the jangly lead guitar riff on this one, and Ben plays a ripping skronky solo at the end. It also has backing vocals from our friend KT Laine, one of her four contributions to the record. Lyrically, it’s about reckoning with unhealthy self-criticism and dependency on certain coping mechanisms.”

“Tourniquet” nods to the brooding grip of dream pop staples like The Sundays, burning brightly as it flails towards maturity. The single captures an airtight act’s evolution in more ways than one.

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Prism Shores

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Rebecca Judd is the features editor of Also Cool Mag.

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PREMIERE: Ura Star Teams Up With Fireball Kid and mememe for "Hanging Out" (Music Video)

Fireball Kid and Ura Star. Photo by Ana-Maria Espino Trudel, logo designed by Cole Yearwood & Holly Craib

The sun is shining bright in Montreal, bringing grassy parks, cold drinks, and blossoming feelings along with it. Here to vibe through it all is Ura Star, who joined forces with Fireball Kid and mememe (Nap Eyes’ Seamus Dalton) for the easy-going earworm “Hanging Out.”

“Hanging Out” marks the first single from Ura Star’s forthcoming record Heartracer, which promises to deliver a stacked compilation of new wave-inspired jams. This album follows Ura Star and Fireball Kid’s two previous collaborations, Gas Station and Emotional Bros Hotline, and will carry their torch of synthy wholesomeness that makes the heart soar.

Produced by Zack Bruce, this latest release has Ura Star navigating the thrill of the “talking stage.” Ura Star, Fireball Kid, and mememe’s upbeat vocal harmonies sweep you away in a sugar rush, leaving you no choice but to keep the track on replay.

Even sweeter? The “Hanging Out” music video, which was directed by Ana-Maria Espino Trudel and Cody Lee. In the vid, the trio of artists exude a top-tier summer aura as they jump around on a vintage yellow sofa in the middle of a soccer field. Tapping their toes and sipping their brews, they conjure up the same innocent joy of a budding summer fling.

Watch the video for Ura Star’s “Hanging Out” below!

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Ura Star

Instagram | Bandcamp | Spotify

Rebecca Judd is the features editor of Also Cool Mag.

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Public Appeal: The Fight for Queer Creativity

Public Appeal by Uma Nardone

Public Appeal (she/they) didn't come out of nowhere – her rise to notability is profound for all the ways they have worked to create music that people want and crave. Growing up in the rural south of France, Discord forums, and Internet algorithms fed her artistry, and moving to Montreal allowed for the exposure necessary to become a star. With mentors and inspiration coming from places like NYC and LA, Public Appeal has found her voice through years of listening to Club Eat and Charli XCX. 

When asked to describe her genre, they tell me there's no need for labels – her music is meant to serve and make you feel good on the dance floor. It's a pursuit I can't discredit in any way, shape, or form. I think communal love for Public Appeal comes from this honesty. In her music, there is an expression of something almost too real for simple minds to handle. With performance being center stage in this era of the Montreal music scene, brutally realistic and dystopian pop beats are what we need to make it through the weekend.

“Indie sleaze is where I draw my inspiration – the irony of playing with archetypes is where you have the most fun.”

When making her music, Public Appeal is asking questions. Her process could be compared to the Barbenheimer phenomenon: the brains of nuclear physicists, but an almost plastic-like beauty and playfulness going hand-in-hand. Indie sleaze becomes ultra-meta as a new generation of artists take on ideas of aesthetics, Tumblr and Instagram, allowing for nuanced forms of consumption. 

Public Appeal by Uma Nardone

As we sit in a park discussing everything from childhood celebrity crushes and the meaning behind lyrics, Public Appeal runs me through her outfit. The level of indie sleaze that one can exude is showcased. The shirt is her father’s, her jewelry was found on the street, mismatched Doc Martens that got switched at a party, and Jack Antonoff spectacles without lenses. Everything from head-to-toe is a collage – a moment in time and an inside joke, yet still eye candy for strangers. 

Her music is similarly a family affair: it's perverse because we can all relate and imagine the scenarios expressed on her latest EP, Mind Your Business. This can be seen in “I Wanna Party With You”, which addresses the awkward dynamic of going out with a lover while being over the feeling of them – easy enough in a city like Montreal, and relentlessly relatable.  

Sometimes the care and attention given to artistry is not noticed when people are making their music on a laptop in their bedroom – yet I believe the best forms of expression come from raw experiences, and Public Appeal allows for that. They study histories of music and genre, searching through old interviews of favorite artists and diving deep into the Soundcloud ether to find inspiration. 

Public Appeal by Uma Nardone

Recently, Public Appeal has delved into the history and sounds of electroclash, introducing even a music lover like me into a world I've never known. With hundred-song playlists and concert lists with footnotes, a sense of care and need for good music is instantly seen in her way of being. This is all the proof needed to express the love they have for music that wirelessly connects to listeners as well.  

“My music can't be labeled! It's androgynous and hot, it makes you feel like party drugs – careless but curious, let it take hold of you!”

Public Appeal is a lesson in balancing work ethic and production as well as attitude and style – the perfect equation for sexy music. They put in an effort within the scene that I can only attribute to the sanctity of protecting queer spaces. 

With so many people taking up space in the industry without the boldness that warrants the spotlight, her music lets her talent shine without ego or force. Self-awareness is used similarly in their music, as indie sleaze is used in all its campiness – allowing for a tangle of fun and intelligence that is an exact portrait of a time and place. As they've told me, music is a tattoo, something that comes from an ache and gets spread all over the city for everyone to feel.  Public Appeal knows her music will change completely with time. But right now, Mind Your Business is the moment and a force to be reckoned with, with future live performances and new music in the works, the possibilities are endless. 

The MIND YOUR BUSINESS REMIXES EP will drop in the new year, featuring appearances from artists like babynymph and bounce2. Stay tuned, as the sound of Public Appeal’s grows and evolves for all to witness, for the betterment of dance floors everywhere.  

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Public Appeal

Instagram | Spotify

Uma Nardone is a writer based in Montreal.

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Also Cool's M For Montreal Top Picks: Round Two

Priors by Lynn Poulin

The 17th edition of M for Montreal begins tomorrow, November 16th, and the city’s music scene is positively buzzing with anticipation. With emerging and established artists from coast-to-coast (and then some!) expected to set the night on fire, it’s hard to resist a taste for what’s to come. Luckily, you don’t have to – Also Cool is here to help, with our second round of selections from this year’s M for Montreal lineup. Be sure to check out our first round, too, and then get busy with your own scheduling… accompanied by our festival playlist, of course.

Priors 

Montreal mainstay punk quintet Priors nose-dived into this past spring with their latest EP NEWNEWNEW. Complete with signature lassoed thrashing and low-fi grit, the band’s punchy ardour remains as they return to the stage from an all-too-familiar pandemic lull. We’ve been parched for a loud gig and are ready to be tossed around by Priors’ angular flirtations. Sandwiched on an absolutely stacked festival lineup—co-presented by Mothland—including Crasher, Absolutely Free, Gloin and Grim Streaker, Priors and their entourage of feather-rufflers are guaranteed to stir up an evening of danceable DIY fervor. 

Priors plays La Sala Rossa on Friday, November 18th at 10:00 PM. 

Tickets

Priors

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Emma Beko by Samuel Fournier

Emma Beko

If you’re not already familiar, the sinister stylings of Montreal-based rapper Emma Beko are bound to break your heart. Since rising in the scene as one-half of Heartstreets, Beko has refined her solo sound and tilted heads for her candid and grungy stream-of-consciousness flow. The release of Beko’s latest EP Superficial Stains fits comfortably into her catalogue, fresh off the heels of Digital Damage from earlier this year, so expect a show filled to the brim with lyrical gut-punches. Catch Emma Beko alongside SLM, Lary Kidd, and more for an unforgettably dynamic hip-hop showcase.

Emma Beko plays Club Soda on Friday, November 18th at 8:00 PM.

Tickets

Emma Beko

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NO WAVES by Malaika Astorga

NO WAVES

Our favourite Montreal Gen-Z punks will be playing the festival this year, so naturally we couldn’t help but add them to the group. From playing absolutely packed free outdoor shows where the crowd takes over the stage, to opening for NOFX and playing FME over the summer, NO WAVES continues to hold their own in the local rock scene. Stay tuned for an upcoming interview with the band by one of their peers, and in the meantime, catch them at M!

NO WAVES plays with Mobina Galore at Turbo Haüs on Saturday, November 19th at 10:00 PM.

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NO WAVES

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Grim Streaker by Kevin W Condon

GRIM STREAKER

Playing alongside many of our faves—like Gloin and Priors—in the Mothland showcase this week, Grim Streaker made an impactful first impression on Also Cool at this year’s FME Festival in northern Quebec. Singer Amelia Bushell’s stage presence is direct and haunting – a worthwhile experience to feel totally undone by her stare. The band’s song “Mind” captivated us for a month after the festival, and they’re here in Montreal for more to see! Grim Streaker specializes in the genre-bending punk tunes that seem to reach out and grab you by the collar – they would be a shame to miss.

Grim Streaker plays at La Sala Rossa on Friday, November 18th at 9:00 PM.

Tickets

Grim Streaker

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M For Montreal

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Alpen Glow's Latest Single "Boring Potion" Serves Up Disco-Pop Candor

“Boring Potion” single art by Amery Sandford

It’s an ongoing joke here at Also Cool HQ that we are all deathly terrified of being perceived. We are, of course, never alone – no matter your creative discipline, it’s a common predicament to be stuck in the fear, annoyance, or outright disinterest that comes with establishing yourself and your artistic outputs as a Brand ™. Enter Alpen Glow with “Boring Potion”, a sparkling disco number that wraps these grievances in a hyper-saturated sheen.

Alpen Glow is the loner pop project of Montreal-based visual artist and musician Amery Sandford (also of BBQT and Born at Midnite). Her work as Alpen Glow is characterized by an interest in the constructed persona and escapism into digital realities, as reflected on releases like debut EP Amertape 2020. Sandford’s music balances refreshing sincerity with an appreciation for the transcendent qualities of a good pop hook. A winning recipe!

Amery Sandford of Alpen Glow. Photo courtesy of Tess Roby

“Boring Potion” unites listeners with its bright keys and light-hearted rumination. The track’s musings implore us all to explore our varyingly-tormented relationships with press cycles and story shares. On the makings of the track, Sandford explains:

“I made this song last winter when we had curfew at 8 pm every night in Montreal. These depressing circumstances manifested in me a very intense figure skating addiction, and everyday I would go to the park by my house and twirl around to F.R. David's Words album. It totally inspired this disco track that I made to let out some frustrations about feeling obligated to constantly self promote online.”

Complementing the release of “Boring Potion” is a charming visualizer video, also concocted by Sandford. Viewers take a trip inside the unofficial Alpen Glow bar, a 80s-tinged fever dream of dancing chalices and wildlife portraiture. Between this space and the Amerbar depicted in “Saturday Nite”, we propose a bar crawl. Drinks on us.

Watch the “Boring Potion” visualiser below!

Alpen Glow

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Rebecca Judd is the features editor of Also Cool Mag.

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PREMIERE: Helen Paradise Debuts Stripped-Back Version of "Glass of Anything"

Helen Paradise. Photo courtesy of Tess Roby

Montreal trio Helen Paradise have hit a tender note with their single “Glass of Anything”. Pairing perfectly with the track’s emotive rawness is a stripped-back version recorded at Autoland – premiering today on Also Cool Mag.

“Glass of Anything” marks the second release of Helen Paradise, comprised of Sophie Ogilvie, Chris Steward and Markus Stahl. The group was born out of a mutual desire to start “exploring new textures and embracing the increasingly brooding moods emerging in their collaborative songwriting”. The group’s forthcoming EP, External World, melds these possibilities together, drawing from a range of influences including trip hop, prog rock, and avant-pop.

The track offers deep reflections on the innate human ability to communicate to close friends through body language. In describing her lyrical motivations, Ogilvie points to a kindhearted gesture of solidarity and its deeper significance:

“I wrote this song after an experience at a party, during which a close friend of mine noticed from across the room that I was visibly uncomfortable, and broke into the conversation I was in to offer me a drink. This was a kind of throwaway moment - I’m sure he thought nothing of it - but it solidified to me that even in moments of silence and loneliness, I am looked after and understood by the people who are close to me. ‘Glass of Anything’ describes these unspoken bonds between friends, and the exchanges that are shared through a knowing glance or a quiet retreat.”

This live session perfectly complements “Glass of Anything”’s warmth. Rich vocal tones against the delicate guitar accompaniment glow in the ambience, beckoning the listener to recall their own connections and muted exchanges. Take a listen, unwind, and tell your friends you love them.

Watch the exclusive performance of "Glass of Anything" live at Autoland below:

Shot by Nancy Pettinicchio

Engineered by Nigel Ward

Mixed by Chris Steward

Helen Paradise

Bandcamp | Website | Instagram

Youtube | Spotify | Apple Music

Rebecca L. Judd (she/they) is the features editor of Also Cool Mag. She writes and creates out of her studio apartment in Ottawa, kept company by vivid dreams and a cuddly grey kitty named Dora.

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With "Fresh Paint," Andria Piperni Creates A World All Her Own

Andria Piperni, “Fresh Paint”. Photo courtesy of Calli Cohen

Montreal-based singer-songwriter Andria Piperni has long proven that she is the one to watch, and her latest track “Fresh Paint” is no exception. 

On this track, the R&B songstress sounds slinky and seductive, telling a story of blissful intimacy as a brand-new world is created. On her Instagram page, Piperni explained that “Fresh Paint” is all about “...getting lost in a moment, and that enchanting feeling of discovering somewhere, something, or someone new.”

The essence of Piperni’s vivid dreamscapes is revealed in clouds of soul and jazz, with delicate vocal melodies floating through. With the right person or the right environment, there is safety – even in floating above the ground, or crashing through waves of the sea.

Piperni enlisted the help of Chris Vincent, member of Montreal electro-soul band Busty and the Bass, to produce and mix “Fresh Paint”. This lush, sensory track is the latest single to be featured leading up to the release of her debut EP, Who’s Counting?, which is slated for release early next year.

“Fresh Paint” is a perfect demonstration of Piperni’s ability to balance indulgence with illusion. If this single is any indication, the rest of the EP will surely follow in such a descriptive and immersive direction. We had the chance to talk with Piperni in the weeks after the release, getting into her influences and perspective on the music industry. Take a read below!

Rebecca Judd for Also Cool: Hi Andria, thank you so much for chatting with us today! “Fresh Paint” is a beautiful track, congratulations on the release. Listening to this track, it feels as though there’s room for multiple interpretations - what’s yours?

Andria Piperni: Thank you! Yeah, I left a bit room for each listener to have their own interpretation of the song. The lyrics are quite metaphorical and hold a lot of imagery — I wanted listeners to envision their own world, the same way a painter would when they paint. It all plays on this idea of creating something new. The scenario I had in mind while writing was two people coming together and creating this magical moment of their own.

AC: It’s an incredibly difficult time to be a creative - how has this year treated you? 

AP: The uncertainty of it all has been hard, and I miss playing live shows. It can be pretty stressful not knowing what’s ahead or how to plan for the future. But in some ways, this pandemic has made room for some great things, too. I spent most of this year writing and recording new music, and it was really nice to be able to put my full focus on that. I’ve also had more time to do some writing for other projects, even outside of music, and got around to doing things like getting my merch online! And I get to wear sweats 95% of the time. Despite everything, I’ve managed to find a silver lining. 

AC: You describe yourself as inspired by  “...everyday human experience, as well as the surreal episodes of … vivid dreams”. Can you elaborate on these inspirations? (I’d love to start having these dreams…)

AP: Those closest to me know that I have the weirdest dreams! For as long as I can remember, I’ve been a vivid dreamer. It’s rare to wake up and not remember my dreams in detail, sometimes several of them. It can be a bit exhausting sometimes. But now and then, I’ll wake up with a certain storyline or melody in my head, and I’ll write it down for later. And I do the same during the day too – I take notes in my phone anytime an idea comes up. They can come from a conversation, a movie, an observation… I always try to pay attention to those little everyday moments, because those are the things that people can really connect to when listening to a song.

AC: Montréal is your hometown, but you briefly lived the ~ Parisian ~ lifestyle and found yourself across the pond. How did this relocation impact your creativity and your music?

AP: Oh man, it was everything. I was studying abroad for about 5 months, and it was amazing. This was before I decided to pursue music full-time, and I think the experience really shifted my perspective and helped me learn more about myself and life in general. Being somewhere completely new, where you don’t know anyone, where there is so much culture and opportunity to travel and meet people from around the world … see[ing] so many beautiful places… It made me realize that life should be lived to the fullest, and your choices should not be based on fears. It gave me courage to do everything I’m doing now.

Andria Piperni. Photo courtesy of Calli Cohen

AC: If you could change anything about the music industry, either in Montréal or at large, what would that be? 

AP: I guess it’s not a secret that it’s very hard for artists to make a good living off of streaming royalties. Don’t get me wrong – as a listener and as a creator, streaming has given me a lot. I discover new music, and listeners can discover my music like never before. But the cost of creating and putting out music (you know, “marketing”) is still very high when you compare it to the streaming payout. It’s just not feasible for independent artists in the long run, especially right now without the ability to play shows. But artists are more and more empowered these days, and I’m hopeful that it will lead to a balanced and fair system. Also… more womxn and minority representation on all fronts! We’re starting to see programs emerge with this goal, and it’s great, but there’s still a long way to go. 

AC: Who is your dream collaborator?

AP: I think my answer changes every time someone asks me this question. It’s hard to pick just one, but someone I would love to collaborate with is John Legend. He’s, well, a legend. And if I happened to meet Chrissy and their adorable children in the process… it would be a dream! 

Thanks again for your time, Andria. Before we let you go, we’ve heard that your debut EP Who’s Counting? is set to release early next year. What can we expect from you in the months to come? 

Yes, [it is], and I’m so excited! I have one more single off the EP coming out before I release the full project. You can also expect some new merch, a music video… and in the meantime, maybe a little holiday cover song or two on my Instagram page before the year wraps up. :) 

Listen to “Fresh Paint” – out now!

Andria Piperni

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Website | Spotify | Soundcloud | Bandcamp

Rebecca Judd is the features editor of Also Cool Mag.

This interview was conducted over email and has been condensed and edited for clarity.

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Nora Toutain Has Found Her "Grounding Place"

Nora Toutain, photo courtesy of Jawad Elajnad

As the days grow shorter and the nights get colder, I am searching for warmth in everything I consume. There is comfort in an oat latte, a feel-good rom-com; and now, happily, the soothing sounds of Nora Toutain and her debut album Grounding Place, Vol. I.

Nora Toutain is a Franco-Moroccan singer-songwriter, based in Montreal. Her unique sound can best be described as alt-R&B, though Nora combines masterful vocals with a variety of genres – jazz, funk, neo-soul, and Afropop – to create music that is distinctive and intrepid. 

Produced by Chris Vincent, member of Montreal electro-soul band Busty and the Bass, Grounding Place, Vol. I is one half of a collection of songs that honours and celebrates Nora’s North African roots,  the place where her story began.

This album captivates and celebrates, guiding the listener through an auditory experience unlike any other. I recently had the opportunity to speak with Nora about her magical debut, the experiences that have informed it, and those who inspire her to continue creating. Read our interview with the talent that is Nora Toutain below!

Rebecca Judd for Also Cool: Hi Nora, thank you so much for taking time to chat with us. I’m a huge fan of this record, it’s been on loop. Let’s start off with the basics - tell our readers about yourself and your artistry!

Nora Toutain: Thank you so much! I’m honoured to be featured, and I am so humbled to hear that the record resonates with you! I’m a Franco-Moroccan singer songwriter based in Montreal.  I was born and raised in Morocco, lived in India during my early teens, and came to Montreal to study science at McGill. After graduating, I made a drastic switch and got a Music degree in Jazz Performance at the University of Montreal. My music is a blend of alt-R&B, soul, jazz, funk,  blues and Afropop. My sound is a direct reference to my diverse cultural background and musical influences.

AC: Musically speaking, Grounding Place Vol. I is an incredibly playful album. “Bad at Love” is a bouncy fusion of soul-pop and jazz, “Victoriaville” celebrates freedom through sonically sparkling Afropop… What are you trying to express through all these melanges? 

NT: It’s true that it’s eclectic in genre and style. But that playful sound you’re referring to reflects, in part, the spark and burst of spontaneous energy I felt from starting my career as an artist.  I think that that’s just something that can be felt due to the vibe I had at that moment in my life, about to embark on this epic journey. Vol. I is bright, energetic, and fiery, drawing inspiration from the North African sun, and the colours of my home in Morocco. The themes explored deal with heritage, power, identity, travel, dreams and love.

Nora Toutain, photo courtesy of Alexya Crôteau-Grégoire

AC: You got your start performing with Kalmunity, which is Canada’s largest musical improv collective. How did this experience inform your musical approach?

NT: Kalmunity played a huge role in my musical life. When I first discovered KVC, it was like an epiphany. Seeing these beautiful souls getting together, trusting each other and the music enough to perform improvised song after song… it really resonated with the way I approach and experience music. It feels like a testament to this notion of having a higher force guide us through the process of creation.

So to answer your question, joining the collective definitely made me a stronger performer, because doing what we do requires a lot of courage and faith to step on the stage and deliver a performance without knowing what’s going to happen next.  It definitely helped me learn how to quickly and efficiently adapt to different situations.

[Kalmunity] also naturally guided me through my songwriting later on, because really, what we were doing was constantly writing songs on the spot. It nurtured my curiosity and desire to take it a step further, and convert some of my musical sketches into fully structured songs that take time to really craft.

AC: Branching off of that, I’m really intrigued by the track “Kvc”, in which you speak about the importance of artistry and creativity in order to build community. It feels especially timely in this moment, when we are having to build communities beyond the physical realm. Can you elaborate on your philosophies shared in this track?

NT: In this interlude, I’m definitely making a link between artistry and community, which is important to me.  It’s true that artistry and creativity help build communities, but I’m interested in how community actually informs creativity.  I think one of my strengths is [knowing] other people’s strengths and [putting] them in contexts where they shine. For me, there is no [magic] and no sparks if there are no exchanges - this is an example of why I love and thrive in collaborative creation.

AC: The music video for “Women” is really beautiful - in sharing these clips of your family’s traditions, there is a real sense of authenticity and intimacy in all that the song expresses. Can you name some of the women who are inspiring you right now?

NT: Thanks for the kind words!  I have to start by shouting out the women in that video, who are all family or close family friends.  My mother is the primary source of feminine inspiration in my life. Also, interestingly enough, I’m finding myself currently collaborating and working with a lot of women that inspire me… like the women of LOTUS Collective, who I’d like to shoutout.

AC: Thank you again for your time, Nora. Really excited to see what comes next from you - what can we anticipate in the months to come?

NT: Thanks again for having me! In the next few months, other than taking time off for the holidays, I’ll be working on some live performance videos to release in anticipation for Volume 2…

Nora Toutain, photo courtesy of Alexya Crôteau-Grégoire

Listen to Grounding Place, Vol. I - out now!

Nora Toutain

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Rebecca Judd is the features editor of Also Cool Mag.

This interview was conducted over email and has been condensed and edited for clarity.

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