Step Into Nice Wave's Comforting Paradise with "Warm Glow"

 

Nice Wave by Priscilla Mars

Something new is brewing in SoCal – emerging indie duo Nice Wave have released the music video for their second single “Warm Glow.”

Comprised of Dakota Blue and Bella Schilter, Nice Wave fuses an appreciation for the musical heritage of California with nods that span across decades. Dakota and Bella formed Nice Wave as an escape from the mundanity of everyday life, a therapeutic outlet for experimentation. Nice Wave capitalizes on these intentions with the “Warm Glow” music video, unveiling a blissfully delicate break from reality.

The music video—directed by Blue and LA-based cinematographer Priscilla Mars—features Schilter waking up in a garden, swaddled by her pastel quilt while surrounded by lush greenery and vivid flowers. Rather than succumbing to confusion, Schilter meanders through the beauty of this landscape, peering through a looking glass and sipping tea (à la Alice in Wonderland).

This relaxing imagery is enhanced by Schilter’s hushed vocals and Blue’s swirling guitar, which are guided by the rhythmic compass of beats sampled from Jarond Gibbs. Said the band of this release: “"Warm Glow" is not merely a song but a captivating experience—an invitation to let go of reality and immerse oneself in a world where timeless allure and modern indie elegance converge.”

Free-falling yet conscientious, “Warm Glow” illustrates the depth of Nice Wave’s potential.

Watch the music video for “Warm Glow” below.


Nice Wave

Instagram | Bandcamp | Spotify

Rebecca Judd is the features editor of Also Cool Mag.


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PREMIERE: Montreal's Love Language Melts the Winter Blues with "Little Gardens"

 

“Little Gardens” artwork by Heather Lynn

When in eastern Canada, daring to embrace the cold is part of one’s seasonal lifestyle. Here to warm us up from the inside, Montreal’s indie rock outfit Love Language premieres a double-feature single and video for “Little Gardens.”

Following the release of their lush 2021 EP Trying To Reach You, “Little Gardens” boasts a heavier and edgier sound for the band—bringing to life a jam-packed tour and bouncing from stage to stage in less than a year from their first show under an overpass in their hometown. Clad with fuzzy tones and a casual, yet spunky, delivery, “Little Gardens” aligns with Love Language being described as “the band that’s playing in the bar—that all the high school kids are somehow allowed into—in your favourite 90s teen movie.”

Recorded this past spring with Rene Wilson of Faith Healer, “Little Gardens” is one of the first songs written by the band after the release of their debut album. A charming outlier for being “peppery, alive and [not] taking itself too seriously,” the live setlist favourite teases a to-be-released EP, set to arrive in early 2023.

Love Language by Connory Ballantyne

On “Little Gardens”, Love Language shares: “It's a song about two people navigating the world at different paces, desperately wanting a connection only to realize that the other person may as well be floating somewhere out in the solar system.”

Accompanying “Little Gardens” is a rosy music video, shot by the band on Super8, charting their voyage to Sled Island and New York City this past summer.

So, consider “Little Gardens” an ear-worm for your winter funk survival. Give it a spin (over and over) and watch the video below for an endless source of sunshine!

Pre-save “Little Gardens” before its official release on December 16th here!

Love Language
Instagram | Bandcamp | Spotify


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Maryze Drops Sinister New Music Video for "Emo" (Hot Tramp Records)

 

Still from “Emo” by Maryze

Spooky season has reached its peak, and Montreal’s alt-popstar Maryze is here to celebrate with a brand-new music video for “Emo”. The single first garnered nostalgic admiration upon the release of 8 — Maryze’s debut album, out earlier this year via Hot Tramp Records — for its torment and evocation, reminiscent of artists like Green Day and Avril Lavigne. With the release of this video, Maryze sculpts a queer love story turned horrifically upside-down.

Still from “Emo” by Maryze

The self-directed video begins with a tender honeymoon phase between Maryze and model/artist Brit Carpenter. The pair is depicted lounging on the bed and laughing through skateboarding lessons, entangled in the purity of infatuation. But their spark turns into a destructive flame, with angst and toxicity steering their relationship out of control and towards a bloody end.

Detailing the theories behind their grungy and dysfunctional nightmare, Maryze shared:

I always seek out queer representation in horror, so this music video is my little contribution. I also feel like queer narratives lack the nuance that straight relationships receive in film, so I wanted to portray all the sides of the story, from beautiful tender moments to scary unhealthy fights. The horror aspect is left pretty ambiguous and moves into a more experimental art direction. We set out to use horror devices to illustrate the toxicity of relationships without having any explicit on-screen violence. I wanted the viewer to be left asking: “who killed who?”

To fully realize her cinematic vision, Maryze created the video concept with horror screenwriter Joel H. Brewster. The visuals were shot by artist Janette King and edited by Solomon Krause-Imlach, who also produced the song.

With its gory and gruesome complexity, this depiction of “Emo” fits magically within Maryze’s universe of transcendence.

Watch the video for “Emo” below, and catch Maryze DJing at the M for Montreal after-party (co-presented by Hot Tramp and Also Cool)!


Maryze

Website | Instagram | Bandcamp

YouTube | Spotify | SoundCloud | Twitter | Facebook | TikTok

Rebecca Judd is the features editor of Also Cool Mag.


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Janette King Sinks Into Self-Confidence with Euphoric New Video for "Ooh Yeah" (Hot Tramp Records)

 

Still from “Ooh Yeah” by Janette King

With less than a week until Valentine’s Day, songstress Janette King is paying intimate tribute to the ultimate lover – herself. The slinky and self-assured “Ooh Yeah”, off Janette’s debut EP What We Lost, is reborn with a liberated new music video.

“Ooh Yeah” sees Janette re-emerge with a deep admiration for all that she is worth, wrapping the listener in waves of inspiration to follow suit. Produced by GRAY, the song documents Janette’s journey into the realm of self-pleasure, offering a masterclass in putting yourself first and chasing your wildest dreams and greatest ambitions. “Ooh Yeah” elaborates on Janette’s unique concoction of R&B and woozy electronica, showcasing her vocal agility.

"'Ooh Yeah' is about breaking trauma patterns, "killing" your old self in order to be reborn into the greatest version of yourself,” Janette reflects on the track. “This idea of walking into a new sense of self came from the forced time alone due to the pandemic, where I was left to reflect and learn what my soul truly needs in order to feel whole.”

Still from “Ooh Yeah” by Janette King

In the new DIY-style video for “Ooh Yeah”, Janette and pals soak in the pleasures of indulgence, transcending through various states of euphoria. Between cupcakes, champagne and video games, the deeper meanings of solace are explored. The video is directed, shot, and edited by Alexandra B. and Elya M.

As Janette explains:

“These visuals are a celebration of joy. It’s a music video about what it means to feel good in one's own skin and not feeling shame when one enjoys that feeling. Liberating oneself from societal pressures and expressing one’s sexuality in whatever way it feels best. It’s about self-pleasure, love, community and independence.”

Watch the video for “Ooh Yeah” below!


Janette King

Website | Instagram | Bandcamp

YouTube | Spotify | Apple Music | Twitter | Facebook

Rebecca Judd is the features editor of Also Cool Mag.


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Scarlet Rae Shares Dreamy Music Video for "Seems Like Forever"

 

Scarlet by Jason Renaud

Waking up from a mid-day nap in the winter, getting lost on your way home from the metro, working too much and forgetting to make plans with your friends... The icy vulnerability of January requires a soundtrack that's just as emotionally heavy. Scarlet Rae's latest single, "Seems Like Forever," is the perfect addition to your hibernation playlists.


Scarlet is an independent artist originally from Los Angeles and now based in New York City. She was previously in a band called Rose Dorn (Bar/None Records) and has since launched her solo career with previous singles "Parachute" and "Going Through." Her tender approach to the singer-songwriter style will find fans among those of Cryogeyser, Momma, and waveform*.

Scarlet by Jason Renaud

"Seems Like Forever" is a preview of her upcoming album (set to be released later this year) and draws on inspiration from Elliot Smith, Bright Eyes, and Sparklehorse. 

The track is accompanied by a music video directed by @surfgang1 @harrrrisonnnn @isawdottie, and was mixed by @aron.kr and mastered by @timothystollenwerk.

Watch "Seems Like Forever" below

 

Scarlet Rae

Spotify I Instagram I YouTube

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Oxford Drama Tackle the Never-Ending Spiral of Being "Too Busy" in New Music Video

 

Too busy to see friends regularly, too busy for work-life balance, too busy for the gig tonight, too busy to buy groceries... it's all a little bit too much, all the time. If this sounds like you, you're not alone. It seems that we're all struggling to keep up with life now that the world has (sort of) opened up again. 

Although it may seem like everyone else has their lives together, they're probably just good at keeping a curated online presence. Our Polish pals Oxford Drama encapsulate this chaos energy perfectly in their music video for “Too Busy”, a single off their recent album What's The Deal With Time?

They offer the important reminder with their lyrics, "The world only stops when you tell it to" – something that all of us need to take to heart more often. Setting boundaries, being firm in self-care routines, and prioritizing physical and mental health are all things that can get pushed to the side with the easy excuse of being "too busy."

According to the band, “Too Busy” is an honest confession about an unhealthy start to the day when you compare to everyone and everything around you. It's also a fierce statement about getting your own life back after quitting an addictive spiral of who's got it better. And despite the appeal of all those apps, sometimes you're just too busy for more punches from the modern world. 

Watch “Too Busy” below & read our last interview with Oxford Drama here.

Oxford Drama

Bandcamp | Soundcloud | YouTube

Instagram | Facebook | Spotify | Apple Music

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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GG Love Release Montreal-Core Music Video for "Telephone"

 

GG Love has joined the pantheon of musicians with iconic telephone-themed tunes. Although far from the art-pop sound of Lady Gaga's popular communications-themed track, GG Love's Telephone is a softer, heartfelt melody. 

Despite the track's tenderness, the lyrics are firm in setting boundaries with a person from GG's past, who seems to have lost their number to the void and yet continues to try and reach out. It's one of many love-themed tunes from their latest album, "How Do You Define Love?" Check out our interview for their last release, It Could Still Be A Win here.

Telephone is accompanied by a very Montreal-core music video featuring the infamous train tracks, Jarry Park, and our unofficial workout group Pump Pump. Not only that, but there's also a whole choreographed dance routine featuring some very cool cowboy hats, a samurai, disco ball weights, and a banana phone. What more could you ask for?

Watch Telephone below

GG Love

Bandcamp I Spotify I Instagram

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Backxwash and Maryze Share Spooky Music Video for "Squelettes" (Dir. Méchant Vaporwave)

 

Still from Squelettes

Happy Halloween from Also Ghoul! We hope you're all enjoying this spooky Sunday, whether you're recovering from a night out on the town or cozying up for some classic scary movies (or both). We're celebrating by sharing the work of our two favourite spookies, Backxwash and Maryze, who have released the long-anticipated music video for their track Squelettes.

Directed, edited, and shot by Backxwash's esteemed creative director Méchant Vaporwave, the black and white footage features glitchy performances from the two Montreal artists in creepy makeup and fantastical costumes and delivers witchy twists sure to delight their Halloween-loving audience.

Inspired by gritty black and white horror films, Méchant Vaporwave set out to create a nauseating fever dream aesthetic à la David Lynch, using quickened shots and flashing images to establish unsettling feelings of disappearing dissociation and dysmorphia. The bilingual banger, released last fall, is an arresting reflection on addiction and how it consumes us. Futuristic producer Margo delivers the track's feverish beat and hyper pop sensibilities.

"The song personifies addiction as a destructive entity that creeps in and takes hold, becoming inescapable, as well as the loss of self with lyrics like "my face no longer looks like me, I've lost my shadow." I was so blown away by the way Méchant Vaporwave brought that vision to life and how perfectly Backxwash's verse fit in. It was an honour to work with them!" says Maryze.

Watch the video below!

 

Backxwash

Bandcamp / Instagram / Website

Maryze

Spotify / Instagram / Website / TikTok

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Sunglaciers Release MGMT-Inspired Indie Pop Track "Draw Me In" (Mothland)

 
via Mothland

via Mothland

According to our recent Instagram polls and that one guy's TikTok, we've all been missing early 2010s indie-pop in a real way. MGMT, Phoenix, M83, and Passion Pit had held us with a vice grip for a while with their sparkly guitar riffs, upbeat vocals, and slightly dystopian lyrics.

Lucky for us, Sunglaciers (Mothland's latest signing) fill that nostalgic void with their latest single, "Draw Me In." The track is reminiscent of The Postal Service's "Such Great Heights" and embodies the band's self-blurring of dazzling indie-rock melodicism and icy post-punk experimentation genres. It's a departure from their earlier shoegaze sound and delves into MGMT-inspired pop.

Sunglaciers came together as a band in 2017 and are based in Calgary. The track was co-produced by Chad VanGaalen and mixed by acclaimed engineer Mark Lawson (Arcade Fire, Yves Jarvis, The Unicorns). It's also accompanied by a video directed by pluri-disciplinary artist Anthony Lucero.

"I went with the direction I did because the sound and spatial structure of the song was very fluid and encompassing. I found that when messing around with machine learning that flowers and daisies really fit the nature and energy of the song better than anything else could." -- Anthony Lucero

Watch "Draw Me In" below

Sunglaciers

Website | Bandcamp | Spotify | Apple Music | Youtube | Instagram | Facebook


Malaika Astorga
is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Alicia Clara Shares Surrealist "Stones Like Eyes" Music Video (Hot Tramp Records)

 
Alicia Clara by Tess Roby

Alicia Clara by Tess Roby

Are you in need of some escapism? Perhaps a trip across space and time would do the trick. Enter the world of Alicia Clara's Stones Like Eyes, her latest music video from her EP Outsider/Unusual. Alicia takes us along for the ride as she travels between dreamscapes and surreal liminal spaces until she finds herself in an alien-like landscape that may be familiar to fellow Montrealers.

What's even cooler is that part of the video was filmed at the Also Cool HQ. Alicia enlisted the help of local creatives Roxane Loumède (writer & director), Matthew Sperdakos Clark (editor & VFX), Tishanna Carnevale (costume design) and Malaika Astorga (DOP) to make the Stones Like Eyes vision come to life.

"I made this music video with a bunch of friends, so it was a really easygoing and fun collaboration – we had a great time shooting. Roxane's surrealist vision matched the oddness of my lyrics, putting the track into a new world of its own," says Alicia. 

Watch the video below

Catch Alicia Clara live at POP Montreal this year on September 25th, and keep an eye out for new music very soon.

Alicia Clara

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Neo-Psych Rockers Hot Garbage Share Spooky Video for "Sometimes I Go Down" (Mothland)

 
Artwork by Derek McKeon

Artwork by Derek McKeon

Are you in need of some brain-melting psychedelic rock? Well, you've come to the right place. Toronto-based psych outfit Hot Garbage, who are newly signed to Mothland, meld their shiny metallic melodies with gritty krautrock and post-punk rhythms to bring us along on a gaseous neo-psychedelic trip. 

Their latest single, “Sometimes I Go Down,” takes inspiration from the sounds of Sonic Youth, and gives us a taste of their upcoming album Ride. The track is accompanied by a spooky music video featuring mysterious calls in parallel universes, tarot cards, and more

We caught up with the band in anticipation of their set at FME on September 3rd to chat about their music and what's to come in for Hot Garbage in 2021.

Photo by Alex Carre

Photo by Alex Carre

Malaika Astorga for Also Cool: Hi! It's nice to meet e-meet you. I'm interested to know how you all met and how that friendship turned into Hot Garbage.

J: You too. Alex is my brother, so I've known him since birth. He was putting a band together with Mark, who he had played with in bands throughout high school. I jumped in on bass, and Dylan, who I'd recently met through friends, joined shortly afterwards to fill things out on keys/synth.

A: Thanks for having us! That's pretty much it, yeah. We were hanging out and going to shows and listening to music together in Toronto. So we started experimenting with writing and playing together, and it was fun! We started doing little gigs and stuff around the city.

Also Cool: Your sound is unmistakably psychedelic. Can you give us some insight on where your inspirations are coming from and what those different genres' scenes are like?

J: Our musical inspirations are pretty varied. I think for this record we're putting out now, we delved into a lot of krauty / noisy territory - inspired by stuff like CAN, Gary Numan, Sonic Youth, Exploded View. We also draw a lot of inspiration from the local scene. There's a ton of quality music coming out of Toronto. Even without hanging with those people and seeing them at shows, I'm listening to amazing record after amazing record that people have been putting out during the pandemic.

A: Yeah, I think all of us really enjoy a lot of different types of music. From a writing standpoint, psychedelic is a great access point to play with musical ideas. The human experience can be so psychedelic, mysterious or strange at times, and those feelings are also so hard to put into words. So I often feel like psychedelic music is just music that is relatable in that way. We're extremely lucky to be a part of a great music community here in Toronto!

AC: Psych shows are often accompanied by crazy visuals that enhance the overall experience. Do you have any memorable/favourite psych shows that you've been to?

J: Definitely. Anything the Oscillitarium has done visuals for is memorable. They have this magical way of transforming any space. A Place To Bury Strangers at the last Crystal Lake was pretty amazing and intense. I've seen Black Angels a bunch, and they always have great visuals by the Mustachio Light Show. There are also a lot of sets that stick with me from Levitation and Desert Daze over the years, like Iggy Pop, 13th Floor Elevators, Jesus and Mary Chain, John Cale. The installation art and visuals are always really well done at those fests; it's clearly factored into the experience.

A: Yeah, it's interesting to see this live collaboration between visual artists and musicians! Oscillitarioum light shows in Toronto rule. With buds like Possum, Kali Horse, Vypers, Mother Tongues, and so many more. I also remember having a pretty profound experience seeing John Cale at Desert Daze a few years back. The visuals and music hit me so hard. It was such an expression.

AC: I'm curious about the mysterious phone calls in your most recent music video. Can you give us any hints of who the mystery caller might've been? I'd also love to know a bit more about the tarot symbolism in the video.

A: Good question... We were playing with the idea of these kinds of gross dudes (Dylan, Mark and myself) talking on the phone and maybe being warned about something and not taking it seriously. While we're being gross, we meet our demise. Juliana maybe heeds the warning and challenges fate by pulling the right card (mystical tarot magic). She's "in touch" with the caller.

Also for the record, we made this video like a year before the pandemic, so any parallels there were not planned… Last year, when the band could only talk on zoom, we were joking about how it looked just like our music video!

AC: We're very excited to see you play IRL at FME. What are you most looking forward to at the festival?

J: Thanks, we're really stoked to play. I'm looking forward to seeing Paul Jacobs and OBGM's for sure. There are a bunch of friends going who I haven't seen in a while, so I'm excited to just hang out and see some shows. I am going to try and catch Cadence Weapon on Thursday if we get in in time. 

A: Thanks! Yeah, I know Paul Jacobs and the OBGMs have such great energies, and I can't wait to soak that up! Also just to be able to play again and be at a show feels so good. This will be our first indoor gig since the pandemic started.

AC: Lastly, what are your plans for the next year, now that shows are happening again?

J: We will be playing shows around the release of our new record - fall/winter will be mostly local-ish but hoping to make it back down into the US to do some touring in the spring. There is also new material being passed around, so we're going to be working on putting that together for the next thing. 

A: Exactly, finally tour this record! We'll go to the USA again and play some shows as soon as we can. But we've been writing tons during the pandemic, so we'll also be working on new material.

Watch Ride below

Hot Garbage

Bandcamp | Spotify | Apple Music | Youtube
Instagram | Facebook

Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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TikTok Queen Maryze Shares Hyper Pop Bop "FBP (Female Brad Pitt)" (Prod. Margo) Music Video

 

After a year of viral icicle reviews, connecting with queer community, and putting out nonstop bangers, Montreal TikTok queen Maryze has blessed us with yet another summer bop. "FBP (Female Brad Pitt)" is a glittery hyper pop anthem, expressing the pandemic malaise we've collectively been trying to overcome while simultaneously battling the sexist internet trolls who tried to take her down. The track was produced by Margo, another Also Cool friend and talented creator.

The FBP demo went viral earlier this year when Maryze posted a clip on TikTok and received hundreds of sexist and misogynistic comments from male "producers" saying how women can't write music and don't deserve equal pay. On the flip side, the queer community and women musicians celebrated the song as an iconic bop and demanded its release. A song first inspired by pandemic depression shopping sprees, chock-full of early aughts references, has become a defiant middle finger to the patriarchy.

Credit to Exposures by Tay

Credit to Exposures by Tay

If that wasn't enough to lift you out of your end-of-summer-sadness, the track is accompanied by a Y2K-themed music video. The video has a nostalgic pizza-party-with-your-best-friends-vibe while still encapsulating a very queer, bratty, and bedazzled energy. It features a ton of Also Cool pals, including co-founder Malaika Astorga, NGL Flounce, and Janette King, Matante Alex, and Margo, to name a few.

Watch the video below

Maryze

Instagram I TikTok I Twitter I Facebook I Website I Spotify

Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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PREMIERE: Helen Paradise Debuts Stripped-Back Version of "Glass of Anything"

 
Helen Paradise. Photo courtesy of Tess Roby

Helen Paradise. Photo courtesy of Tess Roby

Montreal trio Helen Paradise have hit a tender note with their single “Glass of Anything”. Pairing perfectly with the track’s emotive rawness is a stripped-back version recorded at Autoland – premiering today on Also Cool Mag.

“Glass of Anything” marks the second release of Helen Paradise, comprised of Sophie Ogilvie, Chris Steward and Markus Stahl. The group was born out of a mutual desire to start “exploring new textures and embracing the increasingly brooding moods emerging in their collaborative songwriting”. The group’s forthcoming EP, External World, melds these possibilities together, drawing from a range of influences including trip hop, prog rock, and avant-pop.

The track offers deep reflections on the innate human ability to communicate to close friends through body language. In describing her lyrical motivations, Ogilvie points to a kindhearted gesture of solidarity and its deeper significance:

“I wrote this song after an experience at a party, during which a close friend of mine noticed from across the room that I was visibly uncomfortable, and broke into the conversation I was in to offer me a drink. This was a kind of throwaway moment - I’m sure he thought nothing of it - but it solidified to me that even in moments of silence and loneliness, I am looked after and understood by the people who are close to me. ‘Glass of Anything’ describes these unspoken bonds between friends, and the exchanges that are shared through a knowing glance or a quiet retreat.”

This live session perfectly complements “Glass of Anything”’s warmth. Rich vocal tones against the delicate guitar accompaniment glow in the ambience, beckoning the listener to recall their own connections and muted exchanges. Take a listen, unwind, and tell your friends you love them.

Watch the exclusive performance of "Glass of Anything" live at Autoland below:

Shot by Nancy Pettinicchio

Engineered by Nigel Ward

Mixed by Chris Steward

Helen Paradise

Bandcamp | Website | Instagram

Youtube | Spotify | Apple Music

Rebecca L. Judd (she/they) is the features editor of Also Cool Mag. She writes and creates out of her studio apartment in Ottawa, kept company by vivid dreams and a cuddly grey kitty named Dora.


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PREMIERE: Slic Shares Director's Cut of Hypnotic Electronic Track "EZ"

 
ez_cover_final.jpg

Single cover shot by Ana Hernandez.

You know that feeling when you've been out all night with your friends, it's 5 AM, and you're debating whether or not to get breakfast together, that feels so purely like going out in the summertime? Still buzzed from the night before, traces of glitter and silvery outfits shimmering in the morning sun? Maybe I'm getting a little too niche here, but for those of you who know exactly what I'm talking about, "Ez," the latest track from electronic-pop artist Slic, captures this feeling of endless summer and early-morning adventures perfectly.

Slic is a Venezuelan-American artist based in Brooklyn-by-way-of-Miami. Their longstanding affair with the club began as a teenager in Miami amidst the EDM explosion of the early 2010s while Carl Cox was still DJing underground warehouse parties.

They integrate structural threads of Venezuelan music not found in the sample library: beat patterns drawn from tambores, reggeaton, and merengue are loaded up with digitally-generated specimens of sound. In their compositions, the laptop grid becomes a vantage point from which to build a shimmering, transnational future.

"Music can be a way to channel collective wish fulfillment," they explain, embracing a crucial element of pop: the visceral romance of pure belief that punctures through and out into the glaring light of reality."

Watch the exclusive director's cut of EZ below.

Videographer by Ana Maria Hernandez

Directed by Ana, Khalil Flemming, and Slic

Slic

Spotify I Bandcamp I Soundcloud I Apple Music

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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NYC's koleżanka Releases Video for "In A Meeting" & Shares Stories of Phoenix, Polka Clubs & Favourite Memories

 
koleżanka by Michael Fuller

koleżanka by Michael Fuller

How do you find a sense of home in a new city? To leave an old life behind and begin a new one is an anxiety-inducing and transformative process that Phoenix-born and NYC-based singer koleżanka has mastered.

Today she shares her new video for In A Meeting off of her upcoming LP Place Is, which is set to be released via Bar/None on July 30th. The track deals with the all too familiar feeling of what to do when your social anxiety becomes your inner monologue.

We spoke with koleżanka about the many places she’s called home, her favourite memories and dreams, and more.

Malaika Astorga for Also Cool: Hi Kristina, it's nice to e-meet you. Can you tell us a bit about the place you currently call home and what you love most about it?

Kristina: Nice to e-meet you! I currently live in Brooklyn and have been here for about three years now. I love New York City as a home for the reasons why I think many people do - good food everywhere and so many places to go see. The things I love most about it are its opposites to where I grew up in Arizona. While AZ is landlocked, here, I am surrounded by rivers and the ocean. There are four distinct seasons, each with its own unique smells and sites and feelings conjured upon their arrival. I prefer to travel on foot rather than drive to each destination. It helps me slow down (though I am actually an impossibly fast walker) and makes me feel like an actual fixture in space. 


Also Cool: How did music enter your life? What kind of music did you listen to growing up, and how did that transform into your own music-making?

K: Neither of my parents were musical though my mom is an excellent dancer. But my mom's dad and his whole family are very musically and artistically inclined. When I was about five, we lived with him for a short time. When he'd babysit us, he would have my brother and I sing on his karaoke machine. I think things just evolved from there. I ended up singing "Frosty the Snowman" that year for his Polka club's Christmas party, and my mom eventually signed me up for piano lessons. 

I picked up his grandfather's accordion right after high school and taught myself how to play. A lot of the 3/4 waltz-time signatures employed by Polka and by the stylings of learning the accordion that way informed my writing and still does today.

I started getting into punk around the end of middle school and into high school. It was important for me to see women in my favourite bands like The Cramps, Bikini Kill, and Vice Squad. Even Gwen Stefani in early No Doubt revealed the possibilities of power to me and how I could harness my own. 

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AC: I'm always interested in local music / creative scenes. Was there a scene in the different places you lived? What was it like?

K: I started playing some shows and busking in a folk-punk band in Phoenix when I was 19, then moved to Omaha for about a year. When I returned, the music scene in Phoenix felt electrified. I was living in Tempe going to college at the time, and there were house shows abound and dance parties in backyards. Unfortunately, there weren't many medium-sized venues to play, so most things centred around DIY spaces downtown, makeshift house venues or strange bars throughout the metropolitan area. 

We would spend every weekend at Long Wong's in Tempe for whatever friend had a monthly residency. The Trunk Space was the apex of the arts community in Phoenix, a haven for all. For the most part, I felt the scene was supportive, not very competitive throughout the years. It was rare to me that you'd see a band trying to "be" anything. A lot of folks just came as they were, and in my opinion, some of the best bands I've ever seen were Phoenix bands. Being surrounded by the desolation of heat, endless space, and depressing track home developments only encourages a thriving community of wonderfully weird and innovative makers. They are all trying to reinvent their space out of necessity and find safety in their expression. 


AC: I love how you describe your memories. I really relate to having an in-between existence, and I also hold on to vivid memories after struggling with PTSD-related disassociation. One of my favourite things is to think of special moments, similar to how you described 7th ave, Darlings and Barton Springs. Can you tell us a bit more about each one of those memories and why you chose to focus on those moments in particular?

K: Thank you for sharing! I think it's so important to develop those tools for grounding. 

I wrote the lyrics while back in Phoenix the last Christmas before the pandemic hit. I was walking from 7th st to 7th ave on Roosevelt, home to an essential and transformative Phoenix arts community that has slowly been displaced to foreign-invested luxury development. I was walking and thinking about all the times I had walked or driven through there for the past fifteen years. It felt familiar even though so much had changed. I started thinking about "place" and "home," and the other two memories mentioned felt most determining in parcelling out definitions. 

I have a memory of going to Darlings after getting off work serving in Tribeca. I had just settled into the first few months of really living in NYC without touring and visiting Phoenix and found myself overwhelmed by the brevity of time and all the places I had been that past year. Without even thinking, I found myself fully sprinting home, this new home, like it was the only way to expel that energy. 

The other memory of Barton Springs was this beautiful day on tour, serendipitously running into another band we had previously toured with and going down to the water together. A rope was tied to the top of a tree, and people were trying to see how high they could climb before swinging back into the water. I have gone to the springs almost every time I am in Austin on tour, and therefore it feels constant to me during those periods of constantly moving. 

AC: How have you been able to find a sense of home throughout all of the different places and spaces you've experienced?

K: My instinct is to say "time and familiarity," but I don't necessarily think that's always true. There are many unfamiliarities while travelling that I find exciting and even comforting, and that feel like a home place. There is a discovery of home in people I feel safe with and establishing a home within myself. This has been the most important place for me recently. Maybe that is how I find a sense of home elsewhere if that makes sense. 


AC: Who are you listening to right now? Any local artists or friends who you think deserve more recognition?

K: So a thing about me…I don't actually listen to music that often. I know it sounds silly, but I feel really easily overwhelmed by music sometimes. I can be too stimulating, emotionally or otherwise. I used to listen a lot while driving or on the train, but now I don't travel like that as much. I tend to enjoy the sounds of the city while walking. I like when you can hear overtones and harmonies between dissonant or ambiguous city sounds. 

BUT there are a ton of artists I wish one million people could hear; I really don't know where to begin! My bandmate Ark is a wild multi-instrumentalist and plays as Like Diamonds. They write about sci-fi, technology, and time and are so exciting to see live. Herbert Walker's Francis Bartolomeo is one of the best writers I think I have ever heard; that band is a true gem. Alassane creates compositions that will blow your mind; I don't know how he does it. Gabi Jr. is a favourite. They just put out a song a month or two ago that I listened to incessantly as I was driving around Phoenix during my first visit back since being vaccinated. I think it captures so much of the sentiment of cruising around when it first starts getting warm after spring. They are also a sometimes member of the koleżanka live band in Phx. Anna See also makes appearances as the koleżanka bassist. They are one of my favourite guitar players (and bassists); I truly cannot wait to see what they make next. There are new bands/artists out of Phoenix now that are so cool, like Glixen and Veronica Everheart. Also not an AZ or NYC local, but I do listen to RNIE quite often. Lamont makes music I can comfortably do just about anything (or nothing at all) to and feels both moving and soothing.

AC: Tell us a bit about your upcoming album and what you have planned for 2021.

K: When I started this iteration of solo work in 2016, a lot of writing was centred around personal musings and catharsis, or deep and sometimes painful exploration of parts of self as a genesis for music. I was also exploring creatively what I wanted and enjoyed about instruments that were fairly new to me, like guitar and drum machines. 

I started writing some of the earliest material for this new record in December 2018 after coming off a tour. Ark and I finished almost everything for it in March of 2020, right before the pandemic hit. This record is a divergence in that I was feeling more confident as a musician and ready to truly just have some fun and push myself into more sonic exploration.

I'm just so excited for the record to live in the world after all this time! But, I'm not sure what the rest of 2021 will hold. It was so amazing to tour again. I absolutely love touring, but that still feels like such a difficult thing to navigate. After last year, a part of me wants to wait to allow things to happen rather than forcing the hand. 


AC: Last but not least, can you share one of your favourite memories or dreams with us?

K: There was a dream I had some years ago that I can still remember vividly. There was a channel of water running underneath a canopy of trees that arched over it. There were houses with gardens that faced the water on one side of the channel, and an ocean sat on the other side. I was soaring over the channel and underneath the canopy, slowly shifting downward to touch the water, then floating back up again. I suppose I felt like a bird, but I don't remember anything about my body in the dream, or maybe my body was never actualized. All I remember was feeling wholly calm. I thought of nothing, just repeating the motion of touching the water and rising again, and the world around me felt very serene. It is one of my favourite dreams.

Watch “In A Meeting” below

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and communications specialist currently based in Montreal.

 

Hot Girl Summer Begins with Magi Merlin's "To The Beach"

 
Magi Merlin by Lawrence Fafard

Magi Merlin by Lawrence Fafard

At this point, you probably already know how much we love Magi Merlin and her incredible artistry. She's quickly become Montreal's up-and-coming musical sweetheart and is set to take on the rest of the music industry very soon. We covered her EP Drug Music earlier this year, as well as her surrealist music video for Mock Meat.

So why am I gushing about Magi again? Well, she's just released “To The Beach,” the first song off of her upcoming EP, which is part of a larger series of releases entitled Weather Music. But don't let the summery title deceive you; this honey-smooth track is yet another peek into the singer's healing process, focusing on the relationship that she has with her father, someone she chose to remove from her life due to a difficult past.

Described as "neo-soul" and "alternative R&B," Magi is paving her way with yet another evolution to her sound. I caught up with her to chat about the track and Hot Magi Summer 2021.

To The Beach artwork via Magi Merlin

To The Beach artwork via Magi Merlin

Malaika for Also Cool: It seems like with each season, you continue to transform yourself as an artist. Can you tell us about the meaning behind the visuals for the song? 

Magi Merlin: Yes! It honestly comes as a surprise to me. I want to depict metamorphosis and change with each release. It's all active, genuine change. I feel like with every release I become more confident in my work and myself. 

When it comes to the visuals, the concept is to depict power through vulnerability. Removing layers of clothing is a metaphor for taking down protective walls and finding strength in that vulnerability. It was interesting to strip down to nearly nothing in front of an entire crew, a testament to me actively practicing what I am preaching (hehe). 

Also Cool: There's a reoccurring theme throughout your music of growing out of relationships that no longer serve you. Has this been a conscious choice, or is it a natural part of your healing process to turn complicated feelings into your art?

Magi: Turning difficult situations in my life into music has definitely become a part of my healing process. It's funny; when I'm in the middle of dealing with a tough situation, I usually find I'm too emotional to write about it. I've noticed that once I've cleared the initial brunt of my emotions and can look at the situation clearly, I can turn it into something tangible. I know that I am nearing a stage of healing when I am clear-headed enough to write about painful or difficult situations. 

AC: Tell us about your collaborators on the song and the video. Who are they, and how did you start working together?

Magi: Funkywhat produced the song (along with pretty much every other song I have out right now)! I met him through Instagram three years ago (of course) and have been working with him regularly ever since. 

Mailis Roy-Lessard directed the music video. It was my first time working with her and the rest of the team, and it was fantastic! I loved being on set and being guided by Mailis. It was such a cool experience that I'm still hyped about.

AC: I'm personally really interested to know what kind of music you're listening to right now.

Magi: I've been listening to a lot of Wizkid and Burnaboy lately. They've been on repeat for the past few weeks! I think it's the change in weather; warm weather calls for Afrobeat.

AC: Will Summer 2021 be a hot Magi summer? Are you playing any shows? Will we be blessed with more music? 

Magi: Omg, hahaha, HOT MAGI SUMMERRRRR! I hope so! I've got an EP coming out this summer that I am insanely excited about. It's some of my favourite work so far, and I can't wait to share it with you. 

I'm also set to play la Grosse Lamterne in August. After playing Santa Teresa fest, I'm SOOOOO excited to play more live shows! Hot girl summer has commenced.

Watch To The Beach below


Magi Merlin

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and communications specialist currently based in Montreal.


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Magi Merlin Reveals Surrealist New Video for "Mock Meat"

 
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If you could visualize personal growth, what would it look like? For Magi Merlin, i's a shimmering gold and blue haze of past versions of yourself, swirling to culminate into something new and more beautiful than ever before.

Today Montreal's rising indie sweetheart Magi Merlin releases her official music video for “Mock Meat” in collaboration with director Laurent Malo. According to Magi, "I wrote ‘Mock Meat’ after removing myself from a toxic and unhealthy friendship. I wanted to protect myself while at the same time making sure to be introspective and self-critical. I found it easiest to do this through songwriting. ‘Mock Meat’ and my entire EP Drug Music is essentially my attempt at developing into a more badass person. My music documents my personal growth, my journey to bad-assery."

On the video, Malo comments: "The concept for the video emerged from Magi's original cover idea for the EP. I was inspired by the eeriness and sensuality that emanated from the track. We wanted to show Magi's badass, powerful side while juxtaposing it with vulnerability. We kept the blue tritone of the EP's cover for the video's colour theme as well as mixing it with a yellow sepia tritone to continue to play with opposing sides (light and dark, weak and strong, cold and warm). The effects used for the video are a mix of slit scanning, bulging, time displacement and turbulent displace."

We got a taste of the surreal with her last video for “Walking To The Dep,” but this release is on a whole new level. Shimmering illusions of former identities, lava-red high heels that elevate her to the stars and more are waiting for you in her new video.

Watch “Mock Meat” now.

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media specialist, currently based in Montreal.

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Maryze Debuts Glimmering 80s Banger "Too Late"

 
via Hot Tramp Records

via Hot Tramp Records

Usually, I'd write a clever opener, but this song has been stuck in my head for DAYS; that's how much I like it. You may know Maryze as Montreal's TikTok icicle queen or from her last single with Backxwash. Either way, you would know that she's a creative powerhouse, putting out hit after hit, and "Too Late" is no exception.

The track is a glimmering 80s banger, touching on themes of uncertainty and self-doubt. It's comparable to alt-pop tracks such as Sky Ferreira's "Everything Is Embarrassing" or Caroline Polacheck's "So Hot You're Hurting My Feelings."

"I wrote this song when I was feeling both frustrated about wasting time and also completely unable to motivate myself in the pandemic," explains Maryze. "I was kicking myself while I was down, which obviously isn't helpful to get back up. For some reason, even if the lyrics are pretty depressing, the song came out upbeat and dancey. I immediately heard it with an 80s beat – the era of sad dancefloor hits."

During a time when routine can become soul-crushing, "Too Late" is a relatable emo anthem for crying on the dancefloor while hoping for a brighter future. Maryze delivers her most confident performance yet, giving listeners another peek at her debut LP, out Fall 2021 via Hot Tramp Records.

Watch "Too Late" below.

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media specialist, currently based in Montreal.


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Come Along on a Dreamy Adventure with Freck's New Track "222"

 
via frecks

via frecks

Wanna get lost in a shoegaze dream? freck's latest track, "222" is the perfect fix. It's a beautiful combination of sparkly guitar strumming, with Mazzy Star-esque vocals, that make us feel like summer is on the way. The track is a follow-up to the Portland-based artist's last single, "Alone Again," which we covered earlier this year.

The music video follows two best friends as they explore a forest, have a picnic, and share predictions of the future for each other. Alternating between shots of melting candles, Tarot cards, and the cloudy sky, freck's honey-smooth vocals bring us along on the adventure in a dreamlike state.

Water rushes around the girls, and sunlight filters through the trees, leaving us with a languid sense of nostalgia. For fans of Mazzy Star, Soccer Mommy, and all those who want to feel something slow and sweet, this one's for you.

Watch the video for 222 below.

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media specialist, currently based in Montreal.


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Wanna Be My Daddy? Mystic Peach Talks Sexuality, Creative Process & More

 
Via Mystic Peach

Via Mystic Peach

Heavy-hitting and spellbinding, Mystic Peach's track "Wanna Be My Daddy" is a grunge-rock reminder to not give a fuck about what others think of your sexuality.

It's an anthem for every small-town kid who wants to feel comfortable and confident with their identity, despite the judgements of others. We got the chance to chat with the band about the track below.

via Mystic Peacj

via Mystic Peach

Malaika for Also Cool: Hi! Hope you're all holding up the best you can. How would you describe yourselves to those who don't know you?

Curtis for Mystic Peach: I don't think we've ever sat down to think about it, but here's a list we've gathered in the past few years- Melodic Pop, Psych Pop, Psych Rock, Space Rock, Noise Rock, Dwayne "The Rock" Johnson, Grunge and some others. So take your pick, but, at our last show, the sound engineer called us Psych-Punk, which we like.


Also Cool: Let's get into your origin story. How did you all become friends and get into music? 

Mystic Peach: Curtis and Joe went to the same school and had worked on a few projects together throughout the years. We went through many phases that were all enjoyable, but looking back, it was all very confusing. One minute we were recording loud droney stoner music, and then the next week, we'll be recording Mac DeMarco-Esque guitar pop. I don't think either of us knew what we wanted. 

I just felt like we were going nowhere, and I wanted to actually find the strengths in my voice and guitar playing. I vanished for a while, and not many people could get hold of me unless they actually came to my house. 

Shortly after the vanishing trick, Jimi and I met down at the pub through mutual friends and started talking about music and bands. I was astonished that Jimi wasn't in a band. We both knew of each other through previous bands, so it was a chance to woo him with my songs and get things going. After two years of not really speaking, I got in contact with Joe to ask if he wanted to give this project a go. To my surprise and with little reluctance, he said yes. 

Now we're all friends doing some pretty cool stuff and playing music that we like. We're very lucky that we actually like each other.


AC: What's the local music scene like where you're from, and what role did it play in getting you into music-making? Were there any venues or spaces in particular that made you want to be a part of the scene?

MP: I would say it's healthy, there's plenty of interest, and locals are willing to give bands a listen. I wouldn't particularly say there was a specific local scene we wanted to be part of; perhaps we just wanted to shake the whole thing up a bit. I think as long as you get on with fellow bands and those in the music community making things happen in the city, that's all that matters, really. 

We have venues like Joiners, Heartbreakers and The 1865 in Southampton, and Wedgewood Rooms in Portsmouth. We wanted to play them after seeing some of our favourite bands perform there. The promoters are always looking for new music, which keeps the city's music scene in a good state.

AC: I've noticed during the quarantine that people seem to be more and more comfortable with their sexuality and sense of self. You've mentioned that the track tackles the discomfort that others can feel because of your sexuality. How did you come to terms with your personal identities and find confidence in that part of yourselves?

MP: I never really thought I was doing anything that grown adults would need to comment on. It seems that some people bring that 'school kid mentality' into adulthood. But at the end of the day, who cares? You do you. If someone has a problem with whatever it is about you, let them simmer in their own discontent. We all have a very honest set of friends that like each other because we connect... Not because we have a mutual hobby of being a dick head.

AC: How do you find inspiration for your music? Who and what are you inspired by?

MP: We've all put our two pence in on our sound through individual influences. Anything from shoegaze (My Bloody Valentine, DIIV, Slowdive) to punk (Sex Pistols, Black Flag) and 60's garage to 70's rock. More recent influencers are the likes of Yak, FIDLAR and Peace. 

As for subjects, it seems to be based around mental state and social commentary. Sometimes it comes from personal experiences, what we've read, or sometimes just people-watching. Cult films (The Warriors, Pulp Fiction, Clock Work Orange) are a big part of this band too!

AC: Delving into some pre-pandemic nostalgia real quick, what's your favourite memory from playing live/being on tour?

MP: Our most recent and last pre-pandemic memory was our tour with Temples in France in March. It got cut short after three shows, but we all loved it. It was the most fun we had, and we savoured every moment. Playing in Paris to 1,000 people was a highlight and definitely something that brought us closer together because we're cute like that. 

But all in all, just being able to rehearse when we want. Going to the pub, going away to random places together, and getting drunk in hot tubs or in the middle of a field. We miss each other, and I'm sure that's the case for most bands.


AC: Who are some local artists or creative friends who you think deserve more hype?

MP: Defcon Lawless. Unreal talent, fantastic lyricist and incredible music taste. We could talk to him for hours about music and life. Originally from America, but he's ours now; they can't have him back.

Also, our long-term friend and talented artist, James Digweed. He's done art for our last two singles and for our upcoming EP. A true weirdo, a visionary, and we truly love him. 


AC: What are you looking forward to this year? Any upcoming projects?

MP: We're looking forward to releasing our EP this year and having more than just singles out there. We're unsure of timing due to the pandemic, but we're making plans as we speak. We're crossing our fingers for before summer, but we also know that it might happen later than that. 

If the virus starts settling down here, it looks like autumn could be a pretty busy time with shows and rescheduled releases. Intense but exciting for us. An act at our level relies on live shows so much for engaging with new & existing fans. No better feeling. Can't wait to get on that stage again!

AC: Closing out here, is there anything you want to shout out or promote? 

MP: Be safe, be kind to each other, don't shit on each other's opinions and respect people's views even though they may be different from yours. Marmite is better than Vegemite, and if you disagree, then you are wrong.

Thanks for speaking with us, and we're over at @mysticpeachh on all socials. 

Watch Wanna Be My Daddy? below

Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media specialist, currently based in Montreal.


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